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Free indirect discourse can be described as a "technique of presenting a character's voice partly mediated by the voice of the author". In the words of the French narrative theorist Gérard Genette, "the narrator takes on the speech of the character, or, if one prefers, the character speaks through the voice of the narrator, and the two instances then are merged". [1]
The indirect speech sentence is then ambiguous since it can be a result of two different direct speech sentences. For example: I can get it for free. OR I could get it for free. He said that he could get it for free. (ambiguity) However, in many Slavic languages, there is no change of tense in indirect speech and so there is no ambiguity.
Jane Austen's (1775–1817) distinctive literary style relies on a combination of parody, burlesque, irony, free indirect speech and a degree of realism.She uses parody and burlesque for comic effect and to critique the portrayal of women in 18th-century sentimental and Gothic novels.
Free indirect discourse is also in Jane Austen's Emma. Free indirect discourse is in all of Austen's work, have added a brief reference to her status as 'first' FID user, this could be elaborated with examples. Have tried to make the specification of FID more accurate too, but needs more work. --looceefir 23:04, 14 March 2006 (UTC)
Read the full text of the speech as he delivered it that day: I am happy to join with you today in what will go down in history as the greatest demonstration for freedom in the history of our nation.
[5] Beginning with a historical investigation of the development of a particular literary form and then transitioning into empirical verifications, it reveals free indirect discourse as a tool that emerged over time as practical means for addressing the physical distinctness of minds. Seen in this way, free indirect discourse is a distinctly ...
This technique is a joycean version of the free indirect style and is related to the very discussed "objectivity" of the author. According to Kenner, «This is apparently something new in fiction, the normally neutral narrative vocabulary pervaded by a little cloud of idioms which a character might use if he were managing the narrative.
Indirect speech acts are commonly used to reject proposals and to make requests. For example, if a speaker asks, "Would you like to meet me for coffee?" and the other replies, "I have class", the second speaker has used an indirect speech act to reject the proposal.