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"Locomotive Breath" was released on Jethro Tull's 1971 album Aqualung in 1971. An edit of the song was released in the US as a single in 1971, backed with "Wind-Up", though it did not chart. A 1976 single release of the song, backed with "Fat Man", was more successful, reaching number 59 on the Billboard charts [8] and number 85 in Canada. [9]
Songwriter Ian Anderson described the song as "a blues for Jesus, about the gory, glory seekers who use his name as an excuse for a lot of unsavoury things. You know, 'Hey Dad, it's not my fault — the missionaries lied.'" [3] Sean Murphy of PopMatters wrote that, "For “Hymn 43” Anderson sets his sights on the US and in quick order sets about decimating the hypocrisy and myth-making of ...
Starr's version of the song was used as the basis for a cover version by Ugly Rumours, a group formed by Tony Blair while at university. The song was released by the Stop the War Coalition and credited to Ugly Rumours, with the band being fronted by a lookalike of Blair. It peaked at number 21 on the UK Singles Chart in March 2007.
"Hearst Magazines and Yahoo may earn commission or revenue on some items through these links." Arguably one of the best decades of music, the 1970s saw the rise of disco, long shaggy hair, the ...
The song was written by the band's frontman, Ian Anderson, and his then-wife Jennie Franks. While this track was never a single, its self-titled album Aqualung was Jethro Tull's first American Top 10 album, reaching number seven in June 1971. [4] After "Locomotive Breath", it is the song most often played in concert by Jethro Tull. [5]
The songs on the album encompass a variety of musical genres, with elements of folk, blues, psychedelia, and hard rock. [11] The "riff-heavy" nature of tracks such as "Locomotive Breath", "Hymn 43" and "Wind Up" is regarded as a factor in the band's increased success after the release of the album, with Jethro Tull becoming "a major arena act" and a "fixture on FM radio" according to AllMusic.
Louder magazine praised the song for "providing the light relief" on the album, amongst songs like "Locomotive Breath" and the title track. [8] Anderson made a similar point in an interview, noting the combination of the "amusing surreal moments" of acoustic songs like "Mother Goose" and "Up to Me" balanced with the album's more "dramatic ...
The album was also made available in a 4-channel surround sound (quadraphonic) mix in the 8-track tape format (United Artists UA-DA178-H). [5] The original quadraphonic mix has been re-released on Blu-ray, [6] and for the album's 50th anniversary, a new Dolby Atmos mix was released in streaming format. [7]