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  2. List of chords - Wikipedia

    en.wikipedia.org/wiki/List_of_chords

    Suspended chord: M3+b5: Major third, flat five: Just: Just intonation: Bitonal: Bitonal chord: Atonal: Atonal chord: List of musical chords Name Chord on C Sound # of ...

  3. Impromptu No. 3 (Chopin) - Wikipedia

    en.wikipedia.org/wiki/Impromptu_No._3_(Chopin)

    Frédéric Chopin's Impromptu No. 3 in G ♭ major, Op. 51, for piano, was composed in 1842 and published in February 1843. It was the last in order of composition of his four impromptus , but the third published.

  4. G-flat major - Wikipedia

    en.wikipedia.org/wiki/G-flat_major

    Muzio Clementi chose F-sharp in his set for the prelude, but G-flat for the final "Grande Exercice" which modulates through all the keys. Antonín Dvořák composed Humoresque No. 7 in G-flat major, while its middle section is in the parallel key (F-sharp minor, enharmonic equivalent to the theoretical G-flat minor).

  5. G-flat - Wikipedia

    en.wikipedia.org/wiki/G-flat

    G-flat may refer to: G-flat major; G-flat minor; The musical pitch G ...

  6. Guitar chord - Wikipedia

    en.wikipedia.org/wiki/Guitar_chord

    G SUS4 355533; The suspended fourth chord is often played inadvertently, or as an adornment, by barring an additional string from a power chord shape (e.g., E5 chord, playing the second fret of the G string with the same finger barring strings A and D); making it an easy and common extension in the context of power chords.

  7. G♭ (musical note) - Wikipedia

    en.wikipedia.org/wiki/G%E2%99%AD_%28musical_note%29

    G ♭ (G-flat; also called Ges or sol bémol) is the seventh semitone of the solfège. It lies a diatonic semitone above F and a chromatic semitone below G, thus being enharmonic to F ♯ (F-sharp) or fa dièse. However, in some temperaments, it is not the same as F ♯. G ♭ is a major third below B ♭, whereas F ♯ is a major third above D ...

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  9. Jazz chord - Wikipedia

    en.wikipedia.org/wiki/Jazz_chord

    In voicing jazz chords while in a group setting, performers focus first on the seventh and the major or minor third of the chord, with the latter indicating the chord quality, along with added chord extensions (e.g., elevenths, even if not indicated in the lead sheet or fake book) to add tone "colour" to the chord.