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The trios can be seen as a part of the preparation for the upcoming string quartets, which became the leading genre among his chamber music. The musicologist Gerald Abraham has remarked that in terms of their style and aesthetic value the string trios of Op. 9 rank with Beethoven's first string quartets which ousted the trios from the concert ...
The first movement follows the sonata allegro format of the classical period, and borrows thematically from Beethoven's Piano Quartet No. 3 in C major, [5] WoO 36, from a decade earlier.
spirito Spirit, con spirito: with spirit, with feeling spiritoso Spirited staccato Making each note brief and detached; the opposite of legato. In musical notation, a small dot under or over the head of the note indicates that it is to be articulated as staccato. stanza A verse of a song stem Vertical line that is directly connected to the ...
Allegro (E-flat major), 4 4; Adagio cantabile (A-flat major), 34; Scherzo. Allegro assai (E-flat major, with trio in A-flat major), 3 4; Finale. Presto (E-flat major), 2 4; The first movement opens with an ascending arpeggiated figure (a so-called Mannheim Rocket, like that opening the first movement of the composer's own Piano Sonata no 1, Opus 2 no 1), [3]
A silent pause in a piece of music Ossia: from o ("or") + sia ("that it be") A secondary passage of music which may be played in place of the original Ostinato: stubborn, obstinate: A repeated motif or phrase in a piece of music Pensato: thought out: A composed imaginary note Ritornello: little return: A recurring passage in a piece of Baroque ...
Three (Allegro con spirito, Andante, Molto allegro) The Sonata for Two Pianos in D major , K. 448 (375a), is a work composed by Wolfgang Amadeus Mozart in 1781, when he was 25. It is written in sonata-allegro form , with three movements .
Three (Allegro con spirito, Andante con espressione, Rondeau – Allegro) Wolfgang Amadeus Mozart 's Piano Sonata No. 9 in D major , K . 311 / 284c, was written on the composer's stay in Augsburg and Mannheim in November-December 1777 , and is contemporaneous with his Sonata No. 7 in C Major K. 309 (Mozart wrote his Sonata K. 310 in the summer ...
The second movement is a lyrical Adagio with many embellishments. It is in "sonatina" form (there is no development section, only a single bar of a rolled V 7 chord (E♭ 7) leading back to the tonic key); [2] an apparent third appearance of the main theme turns into a coda, imitating a cello solo, [2] which slowly fades to a final perfect cadence.