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Hoping to score a financial success with the Halloween trade, Warner Bros. released Deadly Friend in theaters on October 10, 1986, but the film was a box office bomb, grossing $8,988,731 in the United States against an $11 million budget.
Stuart Michael Sharrett (born July 18, 1965) is an American actor. Best known for his role in the 1978 family movie The Magic of Lassie with James Stewart, Sharrett additionally co-starred in the 1985 action film Savage Dawn and in the 1986 Wes Craven horror film Deadly Friend, for which he received a Young Artist Award nomination as the "Best Young Actor in a Horror Motion Picture".
Deadly Blessing is a 1981 American slasher film directed by Wes Craven. [3] The film tells the story of a strange figure committing murder in a contemporary community that is not far from another community that believes in ancient evil and curses.
“The Friend” functions as a lesson in grief, but also as an exercise in pre-grieving. If I wasn’t as moved by “The Friend” as others who have seen it, I would attribute that to two things.
Those include Wes Craven's sci-fi horror film Deadly Friend, one of Willis's earlier box office flops The Bonfire of the Vanities, and John McTiernan's Last Action Hero. Just as he did with Striking Distance , Canton kept the news and rumors about problems on sets of those films and negative responses from test audiences from the public and ...
My Soul to Take is a 2010 American slasher film produced, written, and directed by Wes Craven, marking the first time he's worked as all three since Wes Craven's New Nightmare in 1994. [5] [6] The film stars Max Thieriot as Adam "Bug" Hellerman, who is one of seven teenagers chosen to die following the anniversary of a serial killer's death.
Dead Friend (Korean: 령; lit. "The Ghost") is a 2004 South Korean horror film. It is one of a number of South Korean horror films set in high school; the trend began with 1998's Whispering Corridors .
Variety listed the film as one of the top grossers of the year, earning $2,850,000 in the U.S. alone. [1] Although not as well received as the radio play, with some critics noting the plot is too padded out, the movie adaptation is considered a classic of the film noir genre. Its twist ending is often cited as one of the era's most memorable.