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The composition takes around 16 minutes to perform and is in one movement. It is scored for a solo viola and a large orchestra, consisting of 3 flutes, 2 oboes, English horn, 4 clarinets, 3 bassoons, 4 horns, 3 trumpets, 3 trombones, vibraphone, glockenspiel, chimes, suspended cymbals, gongs, tamtams, 2 harps, piano, celesta, and a large section of strings.
G Morten Gaathaug (b. 1955) 5 Duets for violin and viola, Op. 2b (1978); Music Information Centre Norway Norwegian Fantasy for clarinet, viola and piano, Op. 44b (1994); Music Information Centre Norway Quasi una fantasia for viola and piano, Op. 12d (1980, 2002); Music Information Centre Norway Kenneth Gaburo (1926–1993) Ideas and Transformations No. 1 for violin and viola (1954–1955 ...
A recording of the Viola Concerto, featuring a performance by the violist Roberto Díaz and the Odense Symphony Orchestra under the direction of Scott Yoo, was released on the album "The Music of Peter Lieberson, Vol. 3" through Bridge Records on June 3, 2014. The album also features a recording of Lieberson's Piano Concerto No. 3. [4]
2 violins, viola, cello and piano 1915 Fantasia Variata on a Theme by N.Paganini in E minor 2 violins, viola and piano 1915 L'Albero di Natale, Variations on a Theme by W.A.Mozart in A major 2 violins, cello and piano 1917 Parasceve, Tema composto per il giorno di Pasqua in E flat major 2 violin, cello and piano 1918 6 Danze No. 1
According to Lewis Foreman, it is "possibly the first full blown concerto for viola by a British composer". (York Bowen's Viola Concerto followed in 1907). There is a modern recording by Lawrence Power and the BBC Scottish Symphony Orchestra. [3] Chanson Celtique (1906) for viola and piano, also achieved some popularity and was later ...
Brass: 4 horns in F, 3 trumpets in C, 3 trombones, tuba; Percussion: timpani, percussion (3 players) Strings: 4 violins, 3 violas, 3 violoncellos, 8 double basses (5th–8th: 5-stringed) 2 harps, celesta, piano (also with scotch glass) The instrumentation is light but bass-oriented. [15]
[5] Joan Reinthaler of The Washington Post described Higdon's writing as "completely at home in her own idiom" and wrote, "The first of the concerto’s three movements opened with the deepest tones of the viola, exploring a slow melody, built to a martial, high-energy, brass-driven celebration that, having had its say, took a deep breath and ...
Paul Hindemith's Der Schwanendreher (literally, "The Swan Turner") is a concerto for viola and orchestra. Der Schwanendreher occupies a place at the core of the viola concerto repertoire, along with the concertos by Walton and Bartók. It was composed in 1935 and premiered by the composer himself at a performance in Amsterdam on 14 November 1935.
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