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[1] Aleksander Ford, first head of Film Polski. Aleksander Ford served as Film Polski's first director from 1945 to 1947. [2] As Roman Polanski noted in his autobiography, Ford was both an "extremely competent" manager and "a veteran party member, who was then an orthodox Stalinist. ...The real power broker during the immediate postwar period ...
The film's screenwriter, Piotr Czaja, confronted Raczek, accusing him of having failed to understand the message of Kac Wawa. Czaja also stated that he had been given the impression that the viewers liked the film and laughed a lot. [4] On his Facebook profile, Szyc wrote: "Critics are one-legged theorists of the broad jump. It's easiest to ...
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The film is set in 1967 to 1968. The attractive Kamila Sakowicz (Magdalena Boczarska) and Roman Rożek (Robert Więckiewicz) are lovers. At first Kamila does not know that Roman is an officer in the Polish state security services. After some time, he invites her into his apartment. After several nights of passion Roman asks Kamila for a favor.
The equipment and film stock were not the best and budgets were modest but the film makers received probably the best training in the world from the Polish Film School. Another advantage was Film Polski's status as a state organisation, so its film-makers had access to all Polish institutions and their cooperation in making their films.
Spotkanie w "Bajce" (Café From The Past) is a 1962 Polish psychological drama film directed by Jan Rybkowski. [1] Also known as Meeting in the Fable, [2] it was produced by Film Polski, and starred Aleksandra Śląska, Gustaw Holoubek, Andrzej Łapicki and Teresa Izewska. [3]
Farewells (also titled Lydia Ate the Apple and Partings in the United States; original Polish title: Pożegnania) [1] is a Polish film released in 1958 and directed by Wojciech Has. Taking place in Poland during the late 1930s and early 1940s, this melancholy film evokes the insecurity and despair pervading Poland at the time.
Rejs is considered as a masterpiece by many and as the earliest cult film in Polish cinema. Shot in a quasi-documentary style, with a cast featuring not more than two or three professional actors, the absurd plot parodies life in the People's Republic of Poland , reducing a weekend river cruise to a hilarious parody of the entire communist system.