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Ludwig van Beethoven's Piano Concerto No. 4 in G major, Op. 58, was composed in 1805–1806. Beethoven was the soloist in the public premiere as part of the concert on 22 December 1808 at Vienna's Theater an der Wien.
The second movement, Larghetto, in E ♭ major—the relative major of C minor—features a strikingly simple principal theme. The final movement, Allegretto, is a theme and eight variations in C minor. The work is one of Mozart's most advanced compositions in the concerto genre. Its early admirers included Ludwig van Beethoven and Johannes Brahms.
English: w:Beethoven, Ludwig van (1800-1802) "Symphony No. 2, D major, Op. 36", 2nd movement - Larghetto (A major). Performed by the Tsumugi Orchestra conducted by Takashi Inoue on 19 Sep 2011 at the Fukuoka City West Public Hall.
Piano Concerto No. 4 may refer to: Piano Concerto No. 4 (Beethoven) Piano Concerto No. 4 (Mozart) Piano Concerto No. 4 (Prokofiev) Piano Concerto No. 4 (Rachmaninoff) Piano Concerto No. 4 (Ries) Piano Concerto No. 4 (Rorem) Piano Concerto No. 4 (Rubinstein) Piano Concerto No. 4 (Saint-Saëns) Piano Concerto No. 4 (Villa-Lobos)
The work is in three movements as follows: . Allegro moderato; Larghetto; Rondo allegretto; The fact that each performance has a different orchestration makes it difficult to describe the work accurately, but in general the concerto has the style of classical composers of the late 18th century such as Joseph Haydn, who would later come to tutor Beethoven.
The Violin Concerto in D major, Op. 61, was written by Ludwig van Beethoven in 1806. Its first performance by Franz Clement was unsuccessful and for some decades the work languished in obscurity, until revived in 1844 by the then 12-year-old violinist Joseph Joachim with the orchestra of the London Philharmonic Society conducted by Felix Mendelssohn.
Romance (Larghetto) (, A-flat major) Allegro ; This concerto "has clarinets besides bassoons and string for accompaniment. They bring warmth and light colouring to this most attractive work, and in spite of unadventurous support they partner the bassoons in many typical phrases." [4]
Concerto for oboe and orchestra (1947–1948) Elegy for clarinet and orchestra (1949) Concerto No. 2 for piano and orchestra (1949–1951, revised 1953); modeled after Beethoven's Emperor Concerto; Cello Concert for solo cello and orchestra (1966) Concerto for solo percussion and large or small orchestra (1974)