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In classical music, contrafacts have been used as early as the parody mass and In Nomine of the 16th century. More recently, Cheap Imitation (1969) by John Cage was produced by systematically changing notes from the melody line of Socrate by Erik Satie using chance procedures.
In vocal music, contrafactum (or contrafact, pl. contrafacta) is "the substitution of one text for another without substantial change to the music". [1] The earliest known examples of this procedure (sometimes referred to as ''adaptation'') date back to the 9th century used in connection with Gregorian chant.
The video for "Swing Life Away" was shot over a year after the release of Siren Song Of The Counter Culture, a rarity in the music industry, as most videos are shot only a few months after the song's parent album is released. [4] Music journalists have credited "Give It All" and "Swing Life Away" as helping Rise Against achieve mainstream appeal.
When released, it was the only way to hear the studio version of "Astronomy Domine" in the U.S., as it was not included on the U.S. issue of The Piper at the Gates of Dawn Some bootleggers noticed rock fans that had grown up with the music in the 1960s wanted rare or unreleased recordings of bands that had split up and looked unlikely to reform.
A version of "Elderly Woman Behind the Counter in a Small Town" by Charlotte Martin can be found on her 2007 album Reproductions. Young@Heart Chorus , [ 14 ] whose singers range from ages 73 to 90, covered "Elderly Woman Behind the Counter of a Small Town" at their 4th Annual Mash-Up concert in November 2016.
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Moorcock, who has appeared with the band on numerous occasions, does the narration on Live Chronicles. [3] [4] [5] Dust and Dreams: Camel: The Grapes of Wrath: John Steinbeck [6] Epica: Kamelot: Faust: Johann Wolfgang von Goethe: Epica is a concept album based on Faust, Part One. It was followed by The Black Halo, which was based on Faust, Part ...
W. S. Gilbert's Gretchen, an 1879 play based on Goethe's version of the Faust legend; Igor Stravinsky's Histoire du soldat (1918), a theatrical piece "to be read, played and danced" with a libretto by C.F. Ramuz; Anatoly Lunacharsky's Фауст и город (Faust and the City) (1918) Michel de Ghelderode's La Mort du Docteur Faust (1925)