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Art colonies initially emerged as village movements in the 19th and early 20th century. It is estimated that between 1830 and 1914, some 3,000 professional artists participated in a mass movement away from urban centres into the countryside, residing for varying lengths of time in over 80 communities.
The Staithes group or Staithes School was an art colony of 19th-century painters based in the North Yorkshire fishing village of Staithes. [ 1 ] Inspired by French Impressionists such as Monet , Cézanne and Renoir , the group of about 25 artists worked together in plein air , in oil or watercolour .
John White (c. 1539 –c. 1593) was an English colonial governor, explorer, artist, and cartographer.White was among those who sailed with Richard Grenville in the first attempt to colonize Roanoke Island in 1585, acting as artist and mapmaker to the expedition.
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The Kirkcudbright Artists’ Colony was an artists’ community that existed approximately between 1880 and 1980 in Kirkcudbright in Dumfries and Galloway. [1] The town attracted many of the country’s leading artists such as E A Hornel, William Mouncey, William Stewart MacGeorge, Charles Oppenheimer, Jessie M King, E A Taylor and S J Peploe.
The Newlyn School was an art colony of artists based in or near Newlyn, a fishing village adjacent to Penzance, on the south coast of Cornwall, from the 1880s until the early twentieth century. The establishment of the Newlyn School was reminiscent of the Barbizon School in France, where artists fled Paris to paint in a more pure setting ...
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The Puritan culture of the New England colonies of the seventeenth century was influenced by Calvinist theology, which believed in a "just, almighty God," [1] and a lifestyle of pious, consecrated actions. The Puritans participated in their own forms of recreational activity, including visual arts, literature, and music.