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A Great Day in Harlem or Harlem 1958 is a black-and-white photograph of 57 jazz musicians in Harlem, New York, taken by freelance photographer Art Kane for Esquire magazine on August 12, 1958. [1] The idea for the photo came from Esquire ' s art director, Robert Benton, rather than Kane. [2]
1967, 1971 - Award, Posters -Polish Ministry of Culture & Art, Warsaw, PL; 1970 - 1st Prize -X Art Biennale di São Paulo, BR; 1972 - 2nd Prize, 1976 -1st Prize -4th and 6th International Poster Biennale, Warsaw, PL; 1975 - 1st Prize, 1980 -2nd Prize, 1985-1st Prize -Key Art Award, Posters -The Hollywood Reporter, Los Angeles
Colin captured the Jazz Age in Paris in his work for Le Tumulte Noir. It was the poster that launched him to fame, and he created other works in his signature style. He then designed theatre and film sets, which made him famous throughout Paris. Paul Colin founded his poster school in 1930, which trained many talented designers for the future.
During the late 1950s, before his publicity artwork for the Beatles, Booth hand-painted many posters for the Cavern Club on Mathew Street, Liverpool. When it first opened as a jazz club in 1957, 'The Merseysippi Jazz Band' were the big attraction on opening night, supported by The Wall City Jazz Men. He created posters for the club's opening night.
For every Jazz Fest from 1984 to 2020 & since 2022, there have been a series of posters released that are related to that year's event. These posters have become some of the most widely recognized pieces of art in the New Orleans/Louisiana area. They are sold at the festival and after the festival online and in many art stores around the area.
David Stone Martin was born June 13, 1913, in Chicago and attended evening classes at the School of the Art Institute of Chicago. He was greatly influenced by the line art of Ben Shahn. [citation needed] During World War II, Martin was an art director for the United States Office of War Information. [4]
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