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English: chart of the Voice Quality Symbols (VOQS), and examples of combinations of the symbols. These are commonly used for disordered speech. These are commonly used for disordered speech. Revised to 2016.
Voice Quality Symbols (VoQS) are a set of phonetic symbols used to transcribe disordered speech for what in speech pathology is known as "voice quality". This phrase is usually synonymous with phonation in phonetics , but in speech pathology encompasses secondary articulation as well.
A vocal register is a range of tones in the human voice produced by a particular vibratory pattern of the vocal folds. These registers include modal voice (or normal voice), vocal fry, falsetto, and the whistle register. [1] [2] [3] Registers originate in laryngeal function. They occur because the vocal folds are capable of producing several ...
A register in the human voice is a particular series of tones, produced in the same vibratory pattern of the vocal folds, and possessing the same quality. Registers originate in laryngeal functioning. They occur because the vocal folds are capable of producing several different vibratory patterns. [17]
For example, Gujarati has vowels with a partially lax phonation called breathy voice or murmured voice (transcribed in IPA with a subscript umlaut ̤), while Burmese has vowels with a partially tense phonation called creaky voice or laryngealized voice (transcribed in IPA with a subscript tilde ̰).
Examples include English /w/ and /r/. In some languages, such as Spanish, there are sounds that seem to fall between fricative and approximant . One use of the word semivowel , sometimes called a glide , is a type of approximant, pronounced like a vowel but with the tongue closer to the roof of the mouth, so that there is slight turbulence.
Voice problems that require voice analysis most commonly originate from the vocal folds or the laryngeal musculature that controls them, since the folds are subject to collision forces with each vibratory cycle and to drying from the air being forced through the small gap between them, and the laryngeal musculature is intensely active during speech or singing and is subject to tiring.
Fifty percent of her time while speaking was silence. Of the other fifty percent, half was spent creating “quasiperiodic” speech-like sound and the other half spent creating noise. This produced an “unpleasant, markedly hoarse voice quality which was consistently evident in her pharyngeal speech". [7]