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The Pietà is a theme in art depicting the Virgin Mary cradling the dead body of her son, Jesus, after his crucifixion. In Bouguereau's version, Mary is seen wearing a black cloak holding Christ close to her bosom. Eight angels in mourning form an arc around them, each of them dressed in different colors.
Mary wears a crown lined by five white and one red roses. She is surrounded by a two golden radiant and glowing circle. The inner ring contains six angles holding the Arma Christi (instruments of the Passion of Jesus): the cross, spear, crown of thorns, tammer and nails, the whip and the a sponge soaked in vinegar. In the outer ring, musical ...
The depiction of the Virgin Mary with her hands upraised in prayer ("orans") is of very ancient origin in Christian art.In the mausoleum of St Agnes in Rome is a depiction dating to the 4th century which depicts the Theotokos with hands raised in prayer and the infant Jesus sitting upon her knees.
Michelangelo Buonarotti's Pietà in Saint Peter's Basilica, 1498–1499.Crowned by the Pontifical decree of Pope Urban VIII in 1637.. The Pietà (Italian pronunciation:; meaning "pity", "compassion") is a subject in Christian art depicting the Blessed Virgin Mary cradling the mortal body of Jesus Christ after his Descent from the Cross.
The painting shows the Virgin Mary holding the baby Jesus Christ, who is calmly asleep in a pastoral setting, while a trio of angels hovers nearby. It highlights Bouguereau’s ability to render realistic flesh tones and subtle gradations of white.
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Version of the Theotokos of Smolensk by Dionisius (c. 1500) 12th-century plaque found in Torcello Cathedral; a full-length figure like the original in Constantinople. A Hodegetria, [a] or Virgin Hodegetria, is an iconographic depiction of the Theotokos (Virgin Mary) holding the Child Jesus at her side while pointing to him as the source of salvation for humankind.
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