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The song contains "soaring" heavy guitar riffs and "gospel-adjacent melodies". [15] [12] The song is one of few that features frontman Tobias Forge on lead guitar. [16] Forge said of his guitar-work on the track:
[a] Instrumentally, the song includes "thick" synths, drum crashes, a funk guitar, and a choir section provided by the House Gospel Choir. [12] [13] Robbin Murray of Clash compared the song's sound to "Honey" by Swedish singer Robyn, writing that it "leans once more on those bubbling electronics, recalling Robyn's 'Honey' is its cutting edge ...
Licks are more often associated with single-note melodic lines than with chord progressions. However, like riffs, licks can be the basis of an entire song. Single-line riffs or licks used as the basis of Western classical music pieces are called ostinatos. Contemporary jazz writers also use riff- or lick-like ostinatos in modal music and Latin ...
Still in 1963, Mack released "Wham!", a gospel-esque guitar rave-up. It reached No. 24 on Billboard's Pop chart in September. [71] Although "Memphis" was the bigger hit, many associate the faster-paced "Wham!" (and the lesser-known, but still faster "Chicken-Pickin" [82] from 1964) with the guitar style he pioneered. [83] From Legends of Rock ...
Sister Rosetta Tharpe (born Rosetta Nubin, March 20, 1915 – October 9, 1973) [1] was an American singer, songwriter and guitarist. She gained popularity in the 1930s and 1940s with her gospel recordings, characterized by a unique mixture of spiritual lyrics and electric guitar.
The Legendary Reverend Gary Davis, New Blues and Gospel: Biograph: 12030E: Also Blue Moon BMLP 1.040 (c. 1987) The Legendary Reverend Gary Davis, Blues and Gospel, Vol 2: Biograph: 12034E: Recorded March 17, 1971 1972: When I Die I'll Live Again: Fantasy: 24704: Reissue of Prestige/Bluesville 1015 and 1032 1973: Lo I Be with You Always: Sonet ...
"Hear Me Lord" is a song by English rock musician George Harrison from his 1970 triple album All Things Must Pass. It was the last track on side four of the original LP format and is generally viewed as the closing song on the album, disc three being the largely instrumental Apple Jam.
American rockabilly singer Wanda Jackson recorded a version of the song, produced and featuring lead guitar by Jack White, that was released as a single and on Jackson's The Party Ain't Over album in 2011. [6] In Jackson's version, the name "Jerry Lee" was substituted for "Alicia Keys". [16]