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The ABRSM (Associated Board of the Royal Schools of Music) is an examination board and registered charity [2] based in the United Kingdom. ABRSM is one of five examination boards accredited by Ofqual to award graded exams and diploma qualifications in music within the UK's National Qualifications Framework (along with the London College of Music, RSL Awards (Rockschool Ltd), Trinity College ...
Dani Howard (born 1993 [1] [2]) is a British composer.. She was born in Hong Kong, where she attended the South Island School. [3] She attended the Royal College of Music between 2011 and 2015, where she studied composition with Jonathan Cole as a Rose Williams Scholar.
Geoffrey Walter Horace Winters, (born 17 October 1928) is a British composer and music educationalist.His works span from large-scale orchestral and concertante pieces (including two symphonies and the Violin Concerto), to chamber and instrumental works and pedagogical music for children.
Her 1939 Piano Trio won the Royal College of Music Society of Women Musicians composition prize. [5] A number of her occasional pieces for cello, such as Serenade and Valse (Grade 2) and Echoes (Grade 5), still feature as ABRSM graded pieces for examination. [15]
He composed some violin concertos and many pieces for violin and piano. Many of these pieces are appropriate for intermediate-level violin students, and they are still studied and performed by violin students today. After his retirement in 1903, he lived in Celje, continuing his activities as teacher, composer, and performer, until his death in ...
Portrait of Biber. Heinrich Ignaz Franz Biber (bapt. 12 August 1644, Stráž pod Ralskem – 3 May 1704, Salzburg) [1] was a Bohemian-Austrian composer and violinist. Biber worked in Graz and Kroměříž before he illegally left his employer, Prince-Bishop Karl Liechtenstein-Kastelkorn, and settled in Salzburg. [1]
Caprice No. 5 is one of 24 caprices for solo violin composed by virtuoso violinist Niccolò Paganini in the early 19th century. The piece is known for its fast tempo and technical difficulty. The piece is known for its fast tempo and technical difficulty.
Like the violin repertoire, much of the viola repertoire is drawn from the Baroque period. The first three volumes have been arranged (or transposed) almost directly from the first three violin volumes, and the rest differ significantly as they delve into standard viola literature. The viola books introduce shifting and work in higher positions ...
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