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The Lokesh Cinematic Universe (LCU), also known as the Lokiverse, is an Indian media franchise and shared universe of Indian-Tamil-language action thriller films created by Lokesh Kanagaraj. [1] It is currently the highest grossing Tamil film franchise. The universe follows an elaborate conflict between law enforcement officers and vigilantes ...
Lokesh Kanagaraj (/ l oʊ k eɪ ʃ k ə n ə ɡ ə r ɑː dʒ /; born 14 March 1986) is an Indian film director, screenwriter and producer who works in Tamil cinema.He started his career with a short film in the 2016 anthology Aviyal, he later directed his first feature film Maanagaram (2017).
LCU may refer to: A US Navy hull classification symbol: Landing craft utility (LCU) Largest coding unit, the basic processing unit of the High Efficiency Video Coding ...
Kaithi (transl. Prisoner) is a 2019 Indian Tamil-language action thriller film [4] directed by Lokesh Kanagaraj, and produced by S. R. Prakash Babu and S. R. Prabhu under Dream Warrior Pictures and co-produced by Tiruppur Vivek under Vivekananda Pictures.
The transfer of a creative work or story, fiction or nonfiction, whole or in part, to a motion picture format; i.e. the reimagining or rewriting of an originally non-film work with the specific intention of presenting it in the form of a film. aerial perspective aerial shot alternate ending ambient light. Also called available light.
Describing his working experience, Nagarjuna was appreciative of his " kind of film making I see in his characters and screenplay" and found that playing the role was "very liberating". [67] The involvement of Sathyaraj was confirmed in May 2024. [68] He would reunite with Rajinikanth after a hiatus of thirty-eight years since Mr. Bharath (1986).
A movie that centres on people attending an artistic/sexual salon was a likely contender to feature unsimulated sex and Shortbus does, but director John Cameron Mitchell had a reason for including it.
Fullscreen (or full screen) refers to the 4:3 (1. 33:1) aspect ratio of early standard television screens and computer monitors. [1] Widescreen ratios started to become more popular in the 1990s and 2000s. Film originally created in the 4:3 aspect ratio does not need to be altered for full-screen release.