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Holy Family (Watteau) The Holy Family with Saint John the Baptist and an Angel; Holy Family under an Oak Tree; The Holy Family with a Little Bird; Holy Family with a Shepherd; Holy Family with Angels (Parmigianino) Holy Family with Saint Anne and the Infant Saint John; Holy Family with Saint Catherine and Saint John the Baptist
Holy Family: 1650–c. 1651: 97,8 × 129,5 cm: Acquired in 1942. Cambridge (Massachusetts), Fogg Art Museum: 195/54 The Holy Family with Saint John and Saint Elisabeth in a landscape: c. 1650: 94 x 122 cm: Painted for the wife of Nicolas Fouquet and joined the French royal collection in 1685: Paris, musée du Louvre: 196/55 Moses saved from the ...
The Holy Family with Saint Anne and the Infant Saint John and the Holy Family with Saint Elizabeth and the Infant Saint John the Baptist are titles given to two very similar pictures of the Holy Family by the Italian Renaissance painter Bronzino. The first version (German: Hl. Familie mit Hl.
The Holy Family With a Palm Tree [Wikidata] Scottish National Gallery, Edinburgh, United Kingdom: Oil and gold on canvas transferred from panel diameter 101,5 c. 1506: Self-portrait: Palazzo Pitti, Florence, Italy: Tempera on panel 47,5 x 33 c. 1506: Saint George and the Dragon: National Gallery of Art, Washington, United States: Oil on panel ...
The Holy Family is a 1518 painting of the Holy Family (Jesus, Mary and Joseph), Saint Elisabeth, an infant John the Baptist and two angels. [1] It is signed by Raphael, but most of the work was delegated to his workshop assistants. [2] It was commissioned by Pope Leo X as a gift to Claude, wife of Francis I of France, hence its name.
The composition of many of the pictures is similar to that found in depictions of the Holy Family resting on the Flight into Egypt. In the Salmon spandrel a woman is making a garment while her child looks on.
The Holy Family with Saint Joachim and Saint Anne Before the Eternal Glory or The Three Generations is an oil painting on canvas executed in 1769 by the Spanish artist Francisco Goya. It is an early work by the artist, depicting the Holy Family, with the Virgin Mary's parents saint Anne and saint Joachim and God the Father and the Holy Spirit.
Christ in the House of His Parents (1849–50) is a painting by John Everett Millais depicting the Holy Family in Saint Joseph's carpentry workshop. The painting was extremely controversial when first exhibited, prompting many negative reviews, most notably one written by Charles Dickens.