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Euphuism is an elegant literary style that was briefly in fashion during the Elizabethan era. The euphuism style employed the frequent use of alliteration, antithesis, balance, and simile, with references to nature and mythological tales.
Although many styles in different media may be called "ornate", ornate style as a distinct style term is used in two contexts: The Red-figure vase painting of ancient Greece, where it, and a contrasting "plain style", developed in Apulia around 400 BC. The third of the Pompeian Styles of ancient Roman wall-paintings, popular around 20–10 BC.
An 1850 acrostic by Nathaniel Dearborn, the first letter of each line spelling the name "JENNY LIND". An acrostic is a poem or other word composition in which the first letter (or syllable, or word) of each new line (or paragraph, or other recurring feature in the text) spells out a word, message or the alphabet. [1]
He took residence in the Alhambra Palace to make drawings and plaster castings of the ornate details of the Islamic ornaments there, including arabesques, calligraphy, and geometric patterns. Interest in classical architecture was also fueled by the tradition of traveling on The Grand Tour , and by translation of early literature about ...
In literary criticism, purple prose is overly ornate prose text that may disrupt a narrative flow by drawing undesirable attention to its own extravagant style of writing, thereby diminishing the appreciation of the prose overall. [1] Purple prose is characterized by the excessive use of adjectives, adverbs, and metaphors.
Marinism (Italian: marinismo, or secentismo, "17th century") is the name now given to an ornate, witty style of poetry and verse drama written in imitation of Giambattista Marino (1569–1625), following in particular La Lira and L'Adone.
U.S. President-elect Donald Trump refused on Tuesday to rule out using military or economic action to pursue acquisition of the Panama Canal and Greenland, part of a broader expansionist agenda he ...
The way in which it was compared to the high style was that "one was plain, the other ornate and decorative". [5] One of Winters' prodigies, J. V. Cunningham, inspired Winters to further understand this style as one "free of ornament, almost without sensory detail, and compact. But it is... highly sophisticated" [6]