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The Acid Tests were a series of parties held by author Ken Kesey primarily in the San Francisco Bay Area during the mid-1960s, centered on the use of and advocacy for the psychedelic drug LSD, commonly known as "acid". LSD was not made illegal in California until October 6, 1966, under Governor Ronald Reagan's administration.
The "Acid Tests" — parties centered around LSD-laced Kool-Aid and carried out with lights and noise intended to enhance the psychedelic experience — started at Kesey's house in the woods of La Honda, California. The Pranksters eventually leave the confines of Kesey's estate and travel across the country in a bus called Furthur.
Ken Elton Kesey (/ ˈ k iː z iː /; September 17, 1935 – November 10, 2001) was an American novelist, essayist and countercultural figure. He considered himself a link between the Beat Generation of the 1950s and the hippies of the 1960s.
The former chemistry student set up a private LSD lab in the mid-60s in San Francisco and supplied the LSD consumed at the famous Acid Test parties held by Ken Kesey and his Merry Pranksters, as well as the Human Be-In in San Francisco in January 1967 [41] and the Monterey International Pop Festival in June 1967. [42]
[17] [18] He was featured (most prominently his freak-out at the Muir Beach Acid Test in November 1965) in The Electric Kool-Aid Acid Test (1968), Tom Wolfe's book detailing the history of Kesey and the Merry Pranksters. Stanley attended the Watts Acid Test on February 12, 1966, with his new apprentice Tim Scully, and provided the LSD ...
Magic Trip is a 2011 American documentary film directed by Alison Ellwood and Alex Gibney, about Ken Kesey, Neal Cassady, and the Merry Pranksters. [1] The documentary uses the 16 mm color footage shot by Kesey and the Merry Pranksters during their 1964 cross-country bus trip in the Furthur bus. The hyperkinetic Cassady is frequently seen ...
The Pump House Gang was published on the same day in 1968 as The Electric Kool-Aid Acid Test, Wolfe's story about the LSD-fueled adventures of Ken Kesey and the Merry Pranksters. [3] They were Wolfe's first books since The Kandy-Kolored Tangerine-Flake Streamline Baby in 1965 which, like The Pump House Gang, was a collection of Wolfe's essays.
The Human Be-In took its name from a chance remark by the artist Michael Bowen made at the Love Pageant Rally. [6] The playful name combined humanist values with the scores of sit-ins that had been reforming college and university practices and eroding the vestiges of entrenched segregation, starting with the lunch counter sit-ins of 1960 in Greensboro, North Carolina, and Nashville, Tennessee.