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The individual rhythmical patterns used in Greek and Latin poetry are also known as "metres" (US "meters"). Greek poetry developed first, starting as early as the 8th century BC with the epic poems of Homer and didactic poems of Hesiod, which were composed in the dactylic hexameter. A variety of other metres were used for lyric poetry and for ...
"Lyric meters (literally, meters sung to a lyre) are usually less regular than non-lyric meters. The lines are made up of feet of different kinds, and can be of varying lengths. Some lyric meters were used for monody (solo songs), such as some of the poems of Sappho and Alcaeus; others were used for choral dances, such as the choruses of ...
Dactylic hexameter (also known as heroic hexameter and the meter of epic) is a form of meter or rhythmic scheme frequently used in Ancient Greek and Latin poetry. The scheme of the hexameter is usually as follows (writing – for a long syllable, u for a short, and u u for a position that may be a long or two shorts):
Greek poetry is based on syllable length, not on syllable stress, as in English.The two syllable lengths in Greek poetry are long and short.It is probable that in the natural spoken language there were also syllables of intermediate length, as in the first syllable of words such as τέκνα /tékna/ 'children', where a short vowel is followed by a plosive + liquid combination; but for poetic ...
A dactylic hexameter, however, has six feet, not six metra, since according to Paul Maas's definition a dactylic metron (as used in lyric poetry) is – ᴗᴗ – ᴗᴗ. Normally in Greek and Latin, in those metres where a metron is defined as having two long elements, there are no more than four metra in any line of poetry.
In poetry, metre (Commonwealth spelling) or meter (American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse.Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order.
The elegiac couplet is presumed to be the oldest Greek form of epodic poetry (a form where a later verse is sung in response or comment to a previous one). Scholars, who even in the past did not know who created it, [3] theorize the form was originally used in Ionian dirges, with the name "elegy" derived from the Greek ε, λεγε ε, λεγε—"Woe, cry woe, cry!"
Glyconic (from Glycon, a Greek lyric poet) is a form of meter in classical Greek and Latin poetry. The glyconic line is the most basic and most commonly used form of Aeolic verse, and it is often combined with others. The basic shape (often abbreviated as gl) is as follows: x x – u u – u –