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Dactylic hexameter (also known as heroic hexameter and the meter of epic) is a form of meter or rhythmic scheme frequently used in Ancient Greek and Latin poetry. The scheme of the hexameter is usually as follows (writing – for a long syllable, u for a short, and u u for a position that may be a long or two shorts):
Greek and Latin metre is an overall term used for the various rhythms in which Greek and Latin poems were composed. The individual rhythmical patterns used in Greek and Latin poetry are also known as " metres " (US "meters").
Greek poetry is based on syllable length, not on syllable stress, as in English.The two syllable lengths in Greek poetry are long and short.It is probable that in the natural spoken language there were also syllables of intermediate length, as in the first syllable of words such as τέκνα /tékna/ 'children', where a short vowel is followed by a plosive + liquid combination; but for poetic ...
A dactyl (/ ˈ d æ k t ɪ l /; Greek: δάκτυλος, dáktylos, “finger”) is a foot in poetic meter. [1] In quantitative verse, often used in Greek or Latin, a dactyl is a long syllable followed by two short syllables, as determined by syllable weight.
Iambic tetrameter is a poetic meter in ancient Greek and Latin poetry; as the name of a rhythm, iambic tetrameter consists of four metra, each metron being of the form | x – u – |, consisting of a spondee and an iamb, or two iambs. There usually is a break in the centre of the line, thus the whole line is:
It is the most common meter used for the spoken parts (as opposed to the sung parts) of Ancient Greek tragedy, comedy, and satyr plays. It is also common in iambus or 'blame poetry', although it is not the only meter for that genre. [1] In Latin, the iambic trimeter was adapted for the spoken parts of Roman plays, especially Roman comedy.
It is found in both Greek and Latin. The metre is usually analysed in terms of the ionicus a maiore (– – uu). [21] The surviving examples have several forms, but the most common is one which has an ionic rhythm in the first half, and a trochaic rhythm in the second: [25] ter corripuī terribilem manū bipennem (Petronius)
The foot is the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry, including English accentual-syllabic verse and the quantitative meter of classical ancient Greek and Latin poetry. The unit is composed of syllables, and is usually two, three, or four syllables in length.