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Tumi (Quechua for 'Knife', variants: 'Tome', 'Tume'), is a generic term encompassing the many kinds of sharp tools utilized in pre- and post-colonial eras of the Central Andes region, Tumis were employed for a diverse set of purposes such as kitchen knives, agricultural tools, warrior or hunting secondary weapons, sacrificial knives, barber ...
Tumi, Inc. was a unit of Doughty Hanson & Co. from 2004 until after its 2012 initial public offering. [2] [3] Tumi's products are known for their black-on-black ballistic nylon. [4] Tumi is available at department stores and specialty stores, as well as over 120 Tumi stores and 200 shops around the world. [5]
Lamassu at the Iraq Museum, Baghdad.. The goddess Lama appears initially as a mediating goddess who precedes the orans and presents them to the deities. [3] The protective deity is clearly labelled as Lam(m)a in a Kassite stele unearthed at Uruk, in the temple of Ishtar, goddess to which she had been dedicated by king Nazi-Maruttash (1307–1282 BC). [9]
Llama artwork created by the Inca shows further reverence towards llamas, an example of this is a depiction of a llama constructed out of pure gold, an extremely valuable material for the Inca because of its religious significance as it was considered the sweat of the sun, the most worshipped deity for the Inca, Inti. [28] Pumas
The Tecaxic-Calixtlahuaca head is a terracotta head, probably originally part of a larger figurine, discovered in 1933 among pre-Columbian or just post-Columbian grave goods in the Tecaxic-Calixtlahuaca zone in the Toluca Valley, approximately 65 kilometers northwest of Mexico City.
Tsinhnahjinnie wrote the book, Our People, Our Land, Our Images: International Indigenous Photographers. Native photographers have taken their skills into the fields of art videography, photocollage, digital photography, and digital art.
Chimú Tapestry Shirt, 1400–1540, Camelid fiber and cotton - Dumbarton Oaks Chimor (also Kingdom of Chimor or Chimú Empire) was the political grouping of the Chimú culture.
Other iconography, such as of the sun and moon, symbolizes the importance of duality in both human and celestial life. Depictions of the Sicán Deity with tumi knives and trophy heads may indicate his omnipotent control in both human life and the celestial world (Nickle Arts Museum 2006, p. 66; Shimada 2000, p. 52-53).