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11 December 1963 (West Germany) Awards: Goldene Leinwand. Part of the Winnetou series. 1964: Wild West story: Börje Nyberg: Swedish production. Comedy Western, featuring Carl-Gustaf Lindstedt. 15 February 1964 (Sweden) The last ride to Santa Cruz/Der Letzte Ritt nach Santa Cruz: Rolf Olsen: West German/Austrian production. 28 March 1964 (West ...
The Ambassador (1960 film) The Ambassador's Wife (film) Ambassadors of Music; The American Friend; The American Soldier; Amico (film) Among the Cinders; Among Vultures; And God Said to Cain; And If We Should Meet Again; And Lead Us Not Into Temptation; And That on Monday Morning; And the Heavens Above Us; And Then There Were None (1974 film ...
This is a list of the most notable films produced in Cinema of Germany in the 1970s. For an alphabetical list of articles on West German films see Category:West German films. For East German films made during the decade see List of East German films.
This is a list of the most notable films produced in Cinema of Germany during the 1960s. For an alphabetical list of articles on West German films see Category:West German films. For East German films made during the decade see List of East German films. Missing films may be Austrian productions.
List of East German films from the 1949–1990 German Democratic Republic; In 1949, both the Federal Republic of Germany (West Germany) and the German Democratic Republic (East Germany) came into existence, in 1990 they reunited as the Federal Republic, again informally referred to as simply Germany.
S. Sanctuary (2015 film) Schtonk! The Second Awakening of Christa Klages; The Secret Agent's Blunder; Siegfried & Roy: The Magic Box; Situation Hopeless...
Framing the Fifties: Cinema in a Divided Germany. Berghahn Books, 2007. Fehrenbach, Heide. Cinema in Democratizing Germany: Reconstructing National Identity After Hitler. University of North Carolina Press, 1995.
New German Cinema (German: Neuer Deutscher Film) is a period in West German cinema which lasted from 1962 to 1982, [2] in which a new generation of directors emerged who, working with low budgets, and influenced by the French New Wave and Italian Neorealism, gained notice by producing a number of "small" motion pictures that caught the attention of art house audiences.