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English: Sound demo of a fuzz face clone pedal into distortion (Blackstar HT Dual, 2nd channel). Volume of the fuzz is maxed to push the gain of the tube distortion. I play on my Yamaha Pacifica 112 on the humbucker, volume at 10 where the fuzz blooms. Fuzz is the Mojo Fuzz Deluxe BC 108 by MojoGear (handmade boutique clone of the fuzzface)
The Fuzz Face's first production run lasted until 1976/77, then was reissued from 1986 until 1990. In 1993, Dunlop Manufacturing took over production and has continued to issue several varieties of the pedal. Jimi Hendrix popularized the Fuzz Face and was known to buy multiple copies at a time to identify the best ones; his pedal chain often ...
The Tone Bender MKII is a three transistor circuit [1] based on the MKI.5 version, but with an additional amplifier gain stage. Sola Sound produced the circuit for Vox (who sold their version as the "Vox Tone Bender Professional MKII"), [5] Marshall (who sold their version as the "Marshall Supa Fuzz"), [6] and Rotosound (who sold their version as the "RotoSound Fuzz Box". [7]
English: Sound demo of a silicon Fuzz Face clone (Mojo Gear Deluxe BC 108) into a tube distortion (HT Dual channel 2) into an ampeg octaver simulation and clean Fender amp simulation (Amplitube 4). Guitar is a Yamaha Pacifica 112, nek pickup.
English: Sound demo of a fuzz face clone pedal into distortion (Blackstar HT Dual, 2nd channel). Volume of the fuzz is maxed to push the gain of the tube distortion. I start playing on the humbucker (Yamaha Pacifica 112) with the volume on 4 (the fuzz cleans up), then I crank it to 10 and the fuzz blooms.
The Fuzz Face is an effects pedal for electric guitar, used also by some electric bass players. It is designed to produce a distorted sound referred to as "fuzz", originally achieved through accident such as broken electrical components or damaged speakers.
The origins of the Pro Co "The RAT" can be traced back to the mid-1970s, when Pro Co engineers, Scott Burnham and Steve Kiraly repaired and hot-rodded existing distortion pedals, such as the Dallas Arbiter Fuzz Face. Burnham decided he could build a superior product from the ground up, and designed what would become "The RAT" pedal.
The dealer subsequently encouraged Vex to keep building pedals and asked for another design, which Vex had to create overnight because his relocation money had run out. The result was the Fuzz Factory, a five-knob fuzz pedal design capable of a large array of unique sounds for a fuzz. [2]
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