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Portrait of Madame Cezanne: c. 1883 20.2 x 14 cm Private collection V 533 R 533 FWN 467 Portrait of the Artist Looking Over His Shoulder: 1883–1884 25 × 25 cm Goulandris Museum of Contemporary Art, Athens V 517 R 535 FWN 471 L'Estaque with Red Roofs: 1883–1885 65 × 81 cm Private collection V 399 R 517 FWN 191 Landscape at L'Estaque: 1883 ...
Paul Cézanne (/ s eɪ ˈ z æ n / say-ZAN, UK also / s ɪ ˈ z æ n / siz-AN, US also / s eɪ ˈ z ɑː n / say-ZAHN; [1] [2] French: [pɔl sezan]; 19 January 1839 – 22 October 1906) was a French Post-Impressionist painter whose work introduced new modes of representation and influenced avant-garde artistic movements of the early 20th century, whose work formed the bridge between late 19th ...
These paintings were deeply "preconceived and pondered." [6] He tended to compose paintings in lines or bands across his canvases. In his landscapes, including the paintings of Mont Sainte-Victoire, Cézanne liked to modify and simplify the scenes. This broke the landscape norm of composing in planes in order to define depth.
His aim was "to make of Impressionism something solid and durable, like the art of museums." [3] It was painted in the 'mature' period of Cézanne's work. [4] The Mont Sainte-Victoire and the Viaduct of the Arc River Valley was a bequest to the Metropolitan Museum of Art by Henry Osborne Havemeyer and his wife Louisine Waldron Elder Havemeyer ...
Still Life with Apples and Oranges (French: Nature morte aux pommes et aux oranges) is a still-life oil painting dating from c. 1899 by the French artist Paul Cézanne.It is currently housed at the Musée d'Orsay in Paris.
The Basket of Apples (French: Le panier de pommes) is a still-life oil painting by French artist Paul Cézanne, which he created c. 1893. The painting rejected naturalistic representation in favor of distorting objects to create multiple perspectives. This approach eventually influenced other art movements, including Fauvism and Cubism.
Pages in category "Paintings by Paul Cézanne" The following 36 pages are in this category, out of 36 total. This list may not reflect recent changes. *
Paul Cézanne, 1888, Mardi gras (Pierot and Harlequin), oil on canvas, 102 cm × 81 cm (40 in × 32 in), Pushkin Museum, Moscow. Several predominant factors mobilized the shift from a more representational art form to one that would become increasingly abstract; one of the most important would be found directly within the works of Paul Cézanne and exemplified in a widely discussed letter ...
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