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Spiritualist art or spirit art or mediumistic art or psychic painting is a form of art, mainly painting, influenced by spiritualism. Spiritualism influenced art, having an influence on artistic consciousness, with spiritual art having a huge impact on what became modernism and therefore art today.
She painted "several series of impressive paintings exploring spiritual or sacred concepts". Her unique style united, in Tessel Bauduin's opinion, "geometric and biomorphic form with a free line". [60] [note 11] Af Klint considered abstract art to be the "spiritual precursor of a utopian social harmony, a world of tomorrow."
The meaning of spirituality has developed and expanded over time, and various meanings can be found alongside each other. [1] [2] [3] [note 1] Traditionally, spirituality is referred to a religious process of re-formation which "aims to recover the original shape of man", [note 2] oriented at "the image of God" [4] [5] as exemplified by the founders and sacred texts of the religions of the world.
Paul Heussenstamm (born September 14, 1949) is an American painter and lecturer. He began painting full-time at the age of 26. [1] He conducts "Art as a Spiritual Path" workshops. [2]
Classics of Western Spirituality [CWS] is an English-language book series published by Paulist [1] Press since 1978, which offers a library of historical texts on Christian spirituality [2] as well as a representative selection of works on Jewish, Islamic, Sufi and Native American spirituality. Each volume is selected and translated by one or ...
The Artist's Way: A Spiritual Path to Higher Creativity is a 1992 self-help book by American author Julia Cameron. The book was written to help people with artistic creative recovery , which teaches techniques and exercises to assist people in gaining self-confidence in harnessing their creative talents and skills.
By 1853, when the popular song "Spirit Rappings" was published, spiritualism was an object of intense curiosity. Spiritualism is a social religious movement popular in the nineteenth and early twentieth centuries, according to which an individual's awareness persists after death and may be contacted by the living. [1]
During the Middle Ages, scholars coined terms for many of these methods—some of which had hitherto been unnamed—in Medieval Latin, very often utilizing the suffix-mantia when the art seemed more mystical (ultimately from Ancient Greek μαντεία, manteía, 'prophecy' or 'the power to prophesy') and the suffix -scopia when the art seemed ...