Search results
Results from the WOW.Com Content Network
Arnold, Janet: Patterns of Fashion: the cut and construction of clothes for men and women 1560–1620, Macmillan 1985. Revised edition 1986. (ISBN 0-89676-083-9) Arnold, Janet: Patterns of fashion 4: The cut and construction of linen shirts, smocks, neckwear, headwear and accessories for men and women c.1540-1660.
Neck: Aventail or camail: Detachable mail hung from a helmet to protect the neck and shoulders, often worn with bassinets. Bevor: Worn with a sallet to cover the jaw and throat (extending somewhat down the sternum). May also cover the back of the neck if worn with a bassinet rather than a sallet. May be solid or made of lames. Sometimes worn ...
Young Italian men wear brimless caps, The Betrothal, c. 1470 [1] As Europe continued to grow more prosperous, the urban middle classes, skilled workers, began to wear more complex clothes that followed, at a distance, the fashions set by the elites. It is in this time period that fashion took on a temporal aspect.
Stomachers were in and out of fashion through the 17th and 18th centuries, varying in style and decoration, throughout Europe and North America.. From about 1740, most gowns and bodices were worn to reveal the stomacher, which covered the front of the torso from neckline to waist or even below the waist.
Jerkins closed to the neck; their skirts were shorter and slightly flared rather than full, and they displayed more of the hose. Overall the fashion was more rigid and restrained. [27] Lower-class men wore a one-piece garment called a cotte in English, tight to the waist with knee-length skirts and long sleeves over their hose.
The unidentified tailor in Giovanni Battista Moroni's famous portrait of c. 1570 is in doublet and lined and stuffed ("bombasted") hose.. A doublet (/ ˈ d ʌ b l ɪ t /; [1] derived from the Ital. giubbetta [2]) is a man's snug-fitting jacket that is shaped and fitted to a man's body.
Men typically wore an overcoat called a cioppa, which had lining of a different color than the main fabric, a defining feature of fashion during the Italian Renaissance. Men typically wore hose or tights that emphasized their lower bodies. Men and women wore outer clothes with detachable and often slashed sleeves of varied designs. Wealthy ...
The Italian term maccherone, when figuratively meaning "blockhead, fool", was apparently not related to this British usage, though both were derived from the name of the pasta shape. [ 5 ] Author Horace Walpole wrote to a friend in 1764 of "the Macaroni Club [ Almack's ], which is composed of all the travelled young men who wear long curls and ...