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The title of the story is taken from John 8:3-11 - The Adulterous Woman, in which a mob brings an adulteress before Jesus for judgment, the usual punishment for adultery being death by stoning. Jesus decrees that the first stone be thrown by one who is free from sin; until eventually no one remains.
Project Gutenberg (PG) is a volunteer effort to digitize and archive cultural works, as well as to "encourage the creation and distribution of eBooks." [2] It was founded in 1971 by American writer Michael S. Hart and is the oldest digital library. [3] Most of the items in its collection are the full texts of books or individual stories in the ...
Jesus and the woman taken in adultery (or the Pericope Adulterae) [a] is considered by some to be a pseudepigraphical [1] [2]: 489 passage found in John 7:53–8:11 [3] of the New Testament. In the passage, Jesus was teaching in the Temple after coming from the Mount of Olives .
In the summer of 1885, the artist worked at the Menshovo estate near Podolsk, where he created a full-length sketch for Christ and the Woman Taken in Adultery, executed in charcoal on canvas. The final version of the painting was completed by Polenov in 1886–1887 in Savva Mamontov's study within his residence on Sadovaya-Spasskaya Street in ...
Christ and the Woman Taken in Adultery is an episode from the New Testament. Christ and the Woman Taken in Adultery or The Woman Taken in Adultery may also refer to: Christ and the Woman Taken in Adultery, a painting of 1917 by Max Beckmann; Christ and the Woman Taken in Adultery, a painting of 1565 by Pieter Bruegel the Elder
Christ and the Adulteress, also called Christ and the Woman Taken in Adultery, and The Adulteress Brought before Christ, is an oil painting usually attributed to Titian and painted early in his career, c. 1508-1510. It hangs in the Kelvingrove Art Gallery and Museum, in Glasgow. [1]
The theme of adultery has been used in a wide range of literature through the ages, and has served as a theme for some notable works such as Anna Karenina and Madame Bovary. As a theme it brings intense emotions into the foreground, and has consequences for all concerned.
It is a free interpretation of the episode of the Gospel of John, when Jesus saved a woman taken in adultery from those who wanted to stone her. Jesus appears at the center of the composition, having the adulteress, wearing a red veil with eyes closed and breasts visible, with her hands folded, begging for mercy, at his feet.