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"Close Enough to Perfect" is a song written by Carl Chambers, and recorded by American country music band Alabama. It was released in August 1982, as the third single from Alabama's album Mountain Music. A pop-styled ballad, "Close Enough to Perfect" was Alabama's eighth No. 1 song in the fall of 1982. [2] Song Backstory
The Alabama Band #3: 1979 "Katy Brought My Guitar Back Today" Mickey Cates John Jarrard: Cheap Seats: 1993 [7] "Keep on Dreamin'" Jeff Cook Rick Scott The Alabama Band #3 My Home's in Alabama: 1979 1980 [16] "Keepin' Up" † Randy Owen Teddy Gentry Greg Fowler Ronnie Rogers: For the Record: 1998 [26] "Lady Down on Love" † Randy Owen Deuces Wild
The suspended fourth chord is often played inadvertently, or as an adornment, by barring an additional string from a power chord shape (e.g., E5 chord, playing the second fret of the G string with the same finger barring strings A and D); making it an easy and common extension in the context of power chords.
Approach chord; Chord names and symbols (popular music) Chromatic mediant; Common chord (music) Diatonic function; Eleventh chord; Extended chord; Jazz chord; Lead sheet; List of musical intervals; List of pitch intervals; List of musical scales and modes; List of set classes; Ninth chord; Open chord; Passing chord; Primary triad; Quartal chord ...
The ChordPro (also known as Chord) format is a text-based markup language for representing chord charts by describing the position of chords in relation to the song's lyrics. ChordPro also provides markup to denote song sections (e.g., verse, chorus, bridge), song metadata (e.g., title, tempo, key), and generic annotations (i.e., notes to the ...
(Lionel Richie with Alabama) 10 71 28 10 10 — Dancing on the Ceiling: 2011 "Old Alabama" (Brad Paisley featuring Alabama) 1 38 — — 41 — RIAA: Platinum This Is Country Music: 2016 "Forever Country" (as Artists of Then, Now & Forever) 1 33 21 — 39 25 26 RIAA: Gold [25] Non-album single "—" denotes releases that did not chart
To build chords, Fripp uses "perfect intervals in fourths, fifths and octaves", so avoiding minor thirds and especially major thirds, [64] which are slightly sharp in equal temperament tuning (in comparison to thirds in just intonation). It is a challenge to adapt conventional guitar-chords to new standard tuning, which is based on all-fifths ...
Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D).