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The term originally referred to the physical cutting of a film strip and the subsequent splicing together of non-adjacent frames, but is now also used to refer to a similar process in computer editing software. It is often used interchangeably with the term edit, though edit may also imply any number of transitions or effects. cut in cut out
As shown here the movie was rated R for violence (V), indicating intense realistic violence, but without graphicness, and adult language (AL), meaning typical R-rated language in this case, without it getting graphic. Example of a content advisory bumper using the system's formerly standard Fixedsys block icons.
For example, if a film told in real time is two hours long, then the plot of that movie covers two hours of fictional time. If a daily real time comic strip runs for six years, then the characters will be six years older at the end of the strip than they were at the beginning. This technique can be enforced with varying levels of precision.
F. Fake Shemp; False ending; Fan edit; Feature film; Field dominance; Fig Rig; Film adaptation; Film cement; Film d'auteur; Film distributor; Film frame; Film grammar
A group of standards for encoding and compressing audiovisual information such as movies, video, and music. MPEG compression is as high as 200:1 for low-motion video of VHS quality, and broadcast quality can be achieved at 6 Mbit/s. Audio is supported at rates from 32 kbit/s to 384 kbit/s for up to two stereo channels.
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The term film grammar is best understood as a creative metaphor, since the elements of film grammar described above do not stand in any strict relation of analogy to the components of grammar as understood by philology or modern linguistics. [1] D. W. Griffith has been called the father of film grammar. [2]