Search results
Results from the WOW.Com Content Network
Étude Op. 10, No. 11, in E ♭ major, is a technical study composed by Frédéric Chopin. It is sometimes known as the "Arpeggio" or "Guitar" Étude. The chief difficulty addressed in this piece is the performance of extended arpeggiated chords. Throughout, the hands are required to stretch intervals as large as twelfths.
E ♭ cornet, also known as a soprano cornet; Tenor horn, known as an Alto Horn in the US; Tuba in E-flat (written at concert pitch when using the bass clef, only transposing when written in treble clef) Circular altohorn (Koenig horn) pitched in E ♭ Tenor cornet; Mellophone; Alto trombone; Vocal horn (cornet with an upward-facing bell)
Ludwig van Beethoven's String Quartet No. 10 in E-flat major, Op. 74, was written in 1809 and is nicknamed the "Harp" quartet.. The nickname "Harp" refers to the characteristic pizzicato sections in the allegro of the first movement, where pairs of members of the quartet alternate notes in an arpeggio, reminiscent of the plucking of a harp.
E-flat major was the second-flattest key Mozart used in his music. For him, E-flat major was associated with Freemasonry; "E-flat evoked stateliness and an almost religious character." [4] Edward Elgar wrote his Variation IX "Nimrod" from the Enigma Variations in E-flat major. Its strong, yet vulnerable character has led the piece to become a ...
This is a category for all transposing instruments that sound music written in the key of C in the key of E ♭, regardless of octave. Pages in category "E-flat instruments" The following 14 pages are in this category, out of 14 total.
It has an unusual additional fretboard that extends onto the headstock. Most guitarists obtain a Drop D tuning by detuning the low E string a tone down. This article contains a list of guitar tunings that supplements the article guitar tunings. In particular, this list contains more examples of open and regular tunings, which are discussed in ...
The piano uses the string theme and develops it further, playing in a nocturne-like style with soft, flowing left hand arpeggios and a cantabile melody in the right hand. The section reaches a climax where a strong fortissimo is played followed by a descending diminuendo scale .
Notes, of E Flat. E ♭ (E-flat) or mi bémol is the fourth semitone of the solfège. It lies a diatonic semitone above D and a chromatic semitone below E, thus being enharmonic to D ♯ or re dièse. In equal temperament it is also enharmonic with F (F-double flat). However, in some temperaments, D ♯ is not the same as E ♭.