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The Italian polymath Leonardo da Vinci (1452–1519) was the founding figure of the High Renaissance, and exhibited enormous influence on subsequent artists.Only around eight major works—The Adoration of the Magi, Saint Jerome in the Wilderness, the Louvre Virgin of the Rocks, The Last Supper, the ceiling of the Sala delle Asse, The Virgin and Child with Saint Anne and Saint John the Baptist ...
The technical drawings of Leonardo da Vinci – a high resolution gallery; Leonardo da Vinci: anatomical drawings from the Royal Library, Windsor Castle, exhibition catalog fully online as PDF from The Metropolitan Museum of Art; Leonardo da Vinci, Master Draftsman, exhibition catalog fully online as PDF from The Metropolitan Museum of Art
The Complete Paintings of Leonardo da Vinci. Penguin Classics of World Art series. ISBN 978-0-14-008649-2. Martin Davies (1961). Catalogue of the Earlier Italian Schools. National Gallery Catalogues, London. ISBN 978-0-901791-29-0. Frederich Hartt (1970). A History of Italian Renaissance Art. Thames and Hudson. ISBN 978-0-500-23136-4. Martin ...
[305] [306] The Da Vinci Code also purports that the figure of the "beloved disciple" to Jesus's right in Leonardo da Vinci's Last Supper is Mary Magdalene, disguised as one of the male disciples; [307] art historians maintain that the figure is, in reality, the apostle John, who only appears feminine due to Leonardo's characteristic ...
Leonardo da Vinci, who had fled from the French when the Duchy of Milan was invaded in 1499, finally entered the King's service in 1507. [8] Although Leonardo da Vinci self-proclaimed his distance from painting, he produced several works during this period: Salvator Mundi (after 1507), La Scapigliata (1508), Leda and the Swan (1508 [9]).
Mary Magdalene (Perugino) Pazzi Crucifixion; Pietà (Titian) Pietà (Bramantino) Pietà (Bronzino, 1529) Pietà (Perugino) Pietà (Ribera, Madrid) Pietà (Ribera, Naples) Pietà (Stanzione) Pietà with Saint Francis and Saint Mary Magdalene; Pietà with Saints Clare, Francis and Mary Magdalene; Pieve di Sant'Andrea (Cercina)
The Death of Leonardo da Vinci, by Ingres, 1818 [u] The 19th century brought a particular admiration for Leonardo's genius, causing Henry Fuseli to write in 1801: "Such was the dawn of modern art, when Leonardo da Vinci broke forth with a splendour that distanced former excellence: made up of all the elements that constitute the essence of ...
The Virgin and Child with Saint Anne is an unfinished oil painting by High Renaissance artist Leonardo da Vinci, dated to c. 1501–1519. [n 1] It depicts Saint Anne, her daughter the Virgin Mary and the infant Jesus. [1]