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Metropolis founder Stephen Fishler is credited with creating the 10 point grading scale that is used industry wide for valuing comic books. He did not create the nomenclature grades (e.g. Very Fine, Near Mint), but organized what was once a 42-point system into the 10-point grading scale, which he convinced the Overstreet Comic Book Price Guide to adopt, and was later embraced by the Certified ...
Other artists start creating a webcomic with the intention of becoming a professional, but often don't succeed in part because they "put the business before the art." [1] Meanwhile, many successful webcomic artists are diversifying their income streams in order to not be solely dependent on the webcomic itself. As of 2015, the vast majority of ...
The traditional audience base for webcomics and print comics are vastly different, and webcomic readers do not necessarily go to bookstores. For some webcartoonists, a print release may be considered the "goal" of a webcomic series, while for others, comic books are "just another way to get the content out." [3]
Phil and Kaja Foglio moved their long-running comic book series Girl Genius to a webcomic format in 2005. Stuart and Kathryn Immonen co-authored Moving Pictures in the late 2000s. David Gallaher and Steve Ellis created High Moon for Zuda in 2007. Cameron Stewart started working on Sin Titulo in 2007.
The traditional audience base for webcomics and print comics are vastly different, and webcomic readers do not necessarily go to bookstores. For some web cartoonists, a print release may be considered the "goal" of a webcomic series, while for others, comic books are "just another way to get the content out."
Image Comics launched its 'Image Digital Comics Store store' in 2013 which is a part of its company website. [17] It got attention for selling comics digitally that are DRM-free, thereby allowing users to download their comics in PDF, EPUB, and the CBR or CBZ Comic Book Archive file formats to their various electronic devices. [18]
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The purchase of the Church Collection helped Mile High Comics expand its influence nationally and helped bring a geometric rise to the price of rare comic books, which became a legitimate investment. [3] In c. 1986, Rozanski sold a batch of comics from the Church Collection and used the profits to put a down payment on a 22,000 square-foot ...