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The margin helps to define where a line of text begins and ends. When a page is justified the text is spread out to be flush with the left and right margins. When two pages of content are combined next to each other (known as a two-page spread), the space between the two pages is known as the gutter. [2] (Any space between columns of text is a ...
Initially, paper was ruled by hand, sometimes using templates. [1] Scribes could rule their paper using a "hard point," a sharp implement which left embossed lines on the paper without any ink or color, [2] or could use "metal point," an implement which left colored marks on the paper, much like a graphite pencil, though various other metals were used.
These kinds of cross-references can be formatted easily with the {{Crossreference}} a.k.a. {} template (or, to other sections on the same page, {} and {}). In any case where such a link in running text would be proper, it is preferred over a parenthetical, explicit cross-reference.
In typography, line length is the width of a block of typeset text, usually measured in units of length like inches or points or in characters per line (in which case it is a measure). A block of text or paragraph has a maximum line length that fits a determined design. If the lines are too short then the text becomes disjointed; if they are ...
There are two basic types of outliners: one-pane or intrinsic, and two-pane or extrinsic, each with its strengths and weaknesses.. A one-pane outliner is known as an intrinsic outliner because the text itself is organized into an outline format—individual sections (such as paragraphs) of text can be collapsed or expanded, while keeping others in view.
The junction of two strokes intersecting above as in A M X x is an apex and the joining of two strokes intersecting below as in V W v w is a vertex. [10] The font shown in the example is stressed; this means that strokes have varying widths. In this example, the stroke at the top of the "g" is thinner at the top and bottom than on the sides ...
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In typography, the mean line is the imaginary line at the top of the x-height. [1]Round glyphs will tend to break the mean line slightly in many typefaces, since this is aesthetically more pleasing, otherwise curved letters such as a, c, e, m, n, o, r, s, and u will appear visually smaller than flat-topped (or bottomed) characters of equal height, due to an optical illusion.