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In feudal Japan, as there was little influence from other countries, beautiful women in ukiyo-e were portrayed with slim eyes and single eyelids. [16] During the opening of Japan to the West in the Meiji Restoration, Japanese physician M. Mikamo was the first surgeon to publish a technique for East Asian blepharoplasty , to westernise the Asian ...
Kōjien defines bijin-ga as a picture that simply "emphasizes the beauty of women", [1] and the Shincho Encyclopedia of World Art defines it as depiction of "the beauty of a woman's appearance". [2] On the other hand, Gendai Nihon Bijin-ga Zenshū Meisaku-sen I defines bijin-ga as pictures that explore "the inner beauty of women". [ 3 ]
Konohanasakuya-hime is the goddess of Mount Fuji and all volcanoes in Japanese mythology; she is also the blossom-princess and symbol of delicate earthly life. [1] [2] She is often considered an avatar of Japanese life, especially since her symbol is the sakura (cherry blossom).
This describes how the Japanese at that time idealized the smaller eyes as depicted in picture scrolls and bijin-ga rather than big eyes. From the Edo period onwards, beauty standards in Japan came to idealise light skin, delicate features, a small mouth, a high forehead, small eyes and rich black hair, as depicted in many ukiyo-e pictures. In ...
Tennin are mentioned in Buddhist sutras, [citation needed] and these descriptions form the basis for depictions of the beings in Japanese art, sculpture, and theater.They are usually pictured as unnaturally beautiful women dressed in ornate, colourful kimono (traditionally in five colours), exquisite jewelry, and stole-like, feathered, flowing scarves--called both Chányī/Tenne (纏衣, lit ...
Japanese aesthetics comprise a set of ancient ideals that include wabi (transient and stark beauty), sabi (the beauty of natural patina and aging), and yūgen (profound grace and subtlety). [1] These ideals, and others, underpin much of Japanese cultural and aesthetic norms on what is considered tasteful or beautiful.
The US-based Sukiya Living magazine (formerly Journal of Japanese Gardening) has awarded the Adachi Museum its highest honor – most beautiful traditional garden – for more than 20 years running.
Kisshōten (吉祥天, lit."Auspicious Heavens"), also known as Kichijōten, Kisshoutennyo (吉祥天女), or Kudokuten (功徳天), is a Japanese female deity, Kisshoutennyo is sometimes named as one of the Seven Gods of Fortune (fukujin), replacing either Jurōjin or Fukurokuju. [1]