Search results
Results from the WOW.Com Content Network
In the 1960s pioneering professionals like that of Herman Feifel (1959), Elisabeth Kübler-Ross (1969), and Cicely Saunders (1967) encouraged behavioral scientists, clinicians, and humanists to pay attention and to study death-related topics. This initiated the death-awareness movement and began the widespread study of death-related behavior ...
Autopsy (1890) by Enrique Simonet. Thanatology is the scientific study of death and the losses brought about as a result. It investigates the mechanisms and forensic aspects of death, such as bodily changes that accompany death and the postmortem period, as well as wider psychological and social aspects related to death.
Herman Braun-Vega (7 July 1933 in Lima — 2 April 2019 in Paris) [1] was a Peruvian painter and artist.. Although his work has always been figurative, it was at first (before 1970) close to abstraction.
Mission Vuelta al Campo ("Return to the Countryside"; implementation announced in mid-2005) is one of the Bolivarian Missions (a series of anti-poverty and social welfare programs) implemented by former Venezuelan president Hugo Chávez. Mission Vuelta al Campo seeks to encourage impoverished and unemployed urban Venezuelans to willingly return ...
Cidade; Campo is a 2024 drama film directed by Juliana Rojas. Starring Fernanda Vianna, Mirella Façanha and Bruna Linzmeyer, the film tells two tales of migration between the city and the countryside. In first tale: Joana moves to São Paulo and tries to restart her life, after a disaster floods her land.
The Templete (small temple) of the Cruz del Campo, destination of the Via Crucis. Interior of the Templete of the Cruz del Campo The Templete illuminated at night. The Via Crucis to the Cruz del Campo (Spanish: Vía Crucis a la Cruz del Campo) in Seville, Andalusia, Spain is believed to be Spain's only Via Crucis that runs through the streets ...
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Donate
One of his best-known works is the musicalization of the work La pergola de las flores by the Chilean author Isidora Aguirre, a musical comedy released in 1960, and set in Santiago in the late 1920s. [3] Flores del Campo composed the music in function of the rhythms in vogue of those years, adding to it melodies from Chilean folk music.