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à la short for (ellipsis of) à la manière de; in the manner of/in the style of [1]à la carte lit. "on the card, i.e. menu"; In restaurants it refers to ordering individual dishes "à la carte" rather than a fixed-price meal "menu".
You might say that this page creates a false category, wherein words that have been adopted into English to wildly varying degrees are lumped together only because their original pronunciations are "exotic" to English speakers, or because they simply "look French", which could be entirely different from person to person.
This is an accepted version of this page This is the latest accepted revision, reviewed on 14 January 2025. This is a list of onomatopoeias, i.e. words that imitate, resemble, or suggest the source of the sound that they describe. For more information, see the linked articles. Human vocal sounds Achoo, Atishoo, the sound of a sneeze Ahem, a sound made to clear the throat or to draw attention ...
It excludes combinations of words of French origin with words whose origin is a language other than French — e.g., ice cream, sunray, jellyfish, killjoy, lifeguard, and passageway— and English-made combinations of words of French origin — e.g., grapefruit (grape + fruit), layperson (lay + person), mailorder, magpie, marketplace, surrender ...
A pastiche combining elements of paintings by Pollaiuolo and Botticelli (Portrait of a Woman and Portrait of a Young Woman [it; fr; es] respectively), using Photoshop. A pastiche (/ p æ ˈ s t iː ʃ, p ɑː-/) [1] [2] is a work of visual art, literature, theatre, music, or architecture that imitates the style or character of the work of one or more other artists. [3]
The first continued in its adopted language in its original obsolete form centuries after it had changed its form in national French: bon viveur – the second word is not used in French as such, [1] while in English it often takes the place of a fashionable man, a sophisticate, a man used to elegant ways, a man-about-town, in fact a bon vivant ...
Franglais (French: [fʁɑ̃ɡlɛ]) or Frenglish (/ ˈ f r ɛ ŋ ɡ l ɪ ʃ / FRENG-glish) is a French blend that referred first to the overuse of English words by French speakers [1] and later to diglossia or the macaronic mixture of French (français) and English (anglais). [2]
Imitation featured in both instrumental and vocal music of the Renaissance. In the following passage from a Ricercar by Andrea Gabrieli, the instruments at first imitate at a distance of two beats. Towards the end of the episode, bars 11–12, the imitation becomes closer, at a distance of only one beat:
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