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The Kingdom of Italy witnessed significant widespread civil unrest and political strife in the aftermath of World War I and the rise of Italian fascism, the far-right movement led by Benito Mussolini, which opposed the rise at the international level of the political left, especially the far-left along with others who opposed fascism.
Italian fascism believed that the success of Italian nationalism required a clear sense of a shared past amongst the Italian people along with a commitment to a modernized Italy. [9] In a famous speech in 1926, Mussolini called for fascist art that was "traditionalist and at the same time modern, that looks to the past and at the same time to ...
Mussolini thought of himself as an intellectual and was considered to be well-read. He read avidly; his favourites in European philosophy included Sorel, the Italian Futurist Filippo Tommaso Marinetti, French Socialist Gustave Hervé, Italian anarchist Errico Malatesta, and German philosophers Friedrich Engels and Karl Marx, the founders of ...
Although Mussolini held these negative attitudes, he was aware that Italian Jews were a deeply integrated and small community in Italy and by and large, they were favourably perceived in Italy because they valiantly fought for Italy during World War I. [72] Of the 117 original members of the Fasci Italiani di Combattimento founded on 23 March ...
Mussolini did not believe that race alone was that significant. Mussolini viewed himself as a modern-day Roman Emperor, the Italians as a cultural elite and he also wished to "Italianise" the parts of the Italian Empire which he had desired to build. [70] A cultural superiority of Italians, rather than a view of racialism. [70]
The Brothers of Italy party, which won the most votes in Italy’s national election, has its roots in the post-World War II neo-fascist Italian Social Movement. Keeping the movement's most potent ...
In “The March on Rome,” which world premiered in the Venice Days sidebar of Venice Film Festival, Northern Irish-Scottish filmmaker Mark Cousins tracks the ascent of fascism in Italy in the ...
Italian Fascism believed that the success of Italian nationalism required a clear sense of a shared past amongst the Italian people, along with a commitment to a modernised Italy. In a famous speech in 1926, Mussolini called for Fascist art that was "traditionalist and at the same time modern, that looks to the past and at the same time to the ...