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In her poem "Sepia Fashion Show" in Diiie, for example, the last lines ("I'd remind them please, look at those knees / you got a Miss Ann's scrubbing") is a reference to slavery, when Black women had to show their knees to prove how hard they had cleaned. Sylvester states that Angelou uses this technique often in her poetry, and that it elicits ...
The "Type" column is color-coded, with a green font indicating poems for or about friends, a magenta font marking his famous poems about his Lesbia, and a red font indicating invective poems. The "Addressee(s)" column cites the person to whom Catullus addresses the poem, which ranges from friends, enemies, targets of political satire, and even ...
The mask may refer to African Americans being forced to conform to stereotypes forced upon them by white society, such as Dunbar's dialect poems, [10] which he at times felt confined to writing. [11] Dunbar is saying that African Americans were only seen for their "mask", or through the mold that white society forced them to fill.
Though first published as "The Valley Nis" in Poems by Edgar A. Poe in 1831, this poem evolved into the version "The Valley of Unrest" now anthologized. In its original version, the speaker asks if all things lovely are far away, and that the valley is part Satan, part angel, and a large part broken heart. It mentions a woman named "Helen ...
The Abbey and the upper reaches of the Wye, a painting by William Havell, 1804. Lines Written a Few Miles above Tintern Abbey is a poem by William Wordsworth.The title, Lines Written (or Composed) a Few Miles above Tintern Abbey, on Revisiting the Banks of the Wye during a Tour, July 13, 1798, is often abbreviated simply to Tintern Abbey, although that building does not appear within the poem.
"Sympathy" is an 1899 poem written by Paul Laurence Dunbar. Dunbar, one of the most prominent African-American writers of his time, wrote the poem while working in unpleasant conditions at the Library of Congress. The poem is often considered to be about the struggle of African-Americans.
Kim Blank takes a psycho-autobiographical approach: he situates the core Lucy poems in the context of what surfaces during Wordsworth's depressive and stressful German experience in the winter of 1798–1799; he concludes that "Lucy dies at the threshold of being fully expressed as a feeling of loss," and that, for Wordsworth, she "represents a ...
It is a poem about things". [ 57 ] Walter Evert, discussing the debate in 1965, justified the final lines of the poem to declare "The poem, then, accepts the urn for the immediate meditative imaginative pleasure that it can give, but it firmly defines the limits of artistic truth.