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Direct relief assistance was permanently replaced by a national work relief program—a major public works program directed by the WPA. [ 9 ] The WPA was largely shaped by Harry Hopkins , supervisor of the Federal Emergency Relief Administration and close adviser to Roosevelt.
Poster by Albert M. Bender, produced by the Illinois WPA Art Project Chicago in 1935 for the CCC CCC boys leaving camp in Lassen National Forest for home. The Civilian Conservation Corps (CCC) was a voluntary government work relief program that ran from 1933 to 1942 in the United States for unemployed, unmarried men ages 18–25 and eventually expanded to ages 17–28. [1]
The Federal Emergency Relief Administration (FERA) was a program established by President Franklin D. Roosevelt in 1933, building on the Hoover administration's Emergency Relief and Construction Act. It was replaced in 1935 by the Works Progress Administration (WPA).
The Relief Appropriation Act of 1935 was passed on April 8, 1935, as a part of Franklin Delano Roosevelt's New Deal.It was a large public works program that included the Works Progress Administration (WPA), the National Youth Administration, the Resettlement Administration, the Rural Electrification Administration, and other assistance programs. [1]
The WPA hired only people on relief who were paid directly by the federal government, while in contrast, the PWA gave contracts to private firms that hired workers for projects on the private sector job market. The WPA also had youth programs (the National Youth Administration), projects for women, and art projects that the PWA did not have. [24]
Pages in category "Work relief programs" The following 15 pages are in this category, out of 15 total. This list may not reflect recent changes. A.
The Federal Art Project was the visual arts arm of Federal Project Number One, a program of the Works Progress Administration, which was intended to provide employment for struggling artists during the Great Depression. Funded under the Emergency Relief Appropriation Act of 1935, it operated from August 29, 1935, until June 30, 1943. It was ...
Ickes supported the art program that was proposed, and believed it could be funded by the Federal Emergency Relief Administration, led by Harry L. Hopkins. Recognizing the value of a work-relief program for workers in the visual arts, Hopkins allocated $1 million in FERA funds to the program. [11]