Search results
Results from the WOW.Com Content Network
35 Acoustic Bass Drum or Low Bass Drum; 36 Electric Bass Drum or High Bass Drum; 37 Side Stick; 38 Acoustic Snare; 39 Hand Clap; 40 Electric Snare or Rimshot; 41 Low Floor Tom; 42 Closed Hi-hat; 43 High Floor Tom; 44 Pedal Hi-hat; 45 Low Tom; 46 Open Hi-hat; 47 Low-Mid Tom; 48 High-Mid Tom; 49 Crash Cymbal 1; 50 High Tom; 51 Ride Cymbal 1; 52 ...
You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.
Tuning machines (with spiral metal worm gears) are mounted on the back of the headstock on the bass guitar neck. The standard design for the electric bass guitar has four strings, tuned E, A, D and G, in fourths such that the open highest string, G, is an eleventh (an octave and a fourth) below middle C, making the tuning of all four strings the same as that of the double bass (E 1 –A 1 –D ...
Essentially a 4-string bass with one added high or low string. Choice of tuning depends whether the added string is low or high. Guitar, bass (6-string) 6 strings 6 courses. Standard/common: B 0 E 1 A 1 D 2 G 2 C 3. Alternate: E 1 A 1 D 2 G 2 B 2 E 3. Bass, electric bass, 6-string bass, contrabass guitar Essentially a 4-string bass with either ...
The frequency data format allows for the precise notation of frequencies that differ from equal temperament. "Frequency data shall be defined in [units] which are fractions of a semitone. The frequency range starts at MIDI note 0, C = 8.1758 Hz, and extends above MIDI note 127, G = 12543.854 Hz.
Tone control is a type of equalization used to make specific pitches or frequencies in an audio signal softer or louder. It allows a listener to adjust the tone of the sound produced by an audio system to their liking, for example to compensate for inadequate bass response of loudspeakers or earphones, tonal qualities of the room, or hearing impairment.
The lateral-cut NAB curve was remarkably similar to the NBC Orthacoustic curve, which evolved from practices within the National Broadcasting Company since the mid-1930s. Empirically, and not by any formula, the bass end of the audio spectrum below 100 Hz could be boosted somewhat to override system hum and turntable rumble noises.
In the key of C, C/E (C major first inversion, with E bass) is written as 1/3; G/B is written as 5/7; Am/G (an inversion of Am7) is written as 6m/5; F/G (F major with G bass) is 4/5. Just as with simple chords, the numbers refer to scale degrees; specifically, the scale degree number used for the bass note is that of the note's position in the ...