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In some cases, these names actually refer to different lens designs and technologies implemented; however, the great majority are simply re-branded lenses originally known by another name. In recent decades, it has generally been considered a cliché throwback, and thus the generic name of anamorphic format has become predominant.
Anamorphic format is the cinematography technique of shooting a widescreen picture on standard 35 mm film or other visual recording ... hence the name for the ...
CinemaScope logo from The High and the Mighty (1954). CinemaScope is an anamorphic lens series used, from 1953 [1] to 1967, and less often later, for shooting widescreen films that, crucially, could be screened in theatres using existing equipment, albeit with a lens adapter.
Format is the name of the process; some formats may have multiple names in common usage. Creator is the individual or company most directly attributable as the developer of the system. Year created usually refers to the earliest date that the system was used to completion (i.e. projection), but may refer to when it was developed if no known ...
List of anamorphic format trade names; List of automotive fuel brands; List of bottle types, brands and companies; British Rail brand names; List of car audio manufacturers and brands; List of celebrity-branded perfumes; List of cigar brands; List of cigarette brands; List of defunct consumer brands; List of digital camera brands; Dunlop (brands)
List of anamorphic format trade names; ... List of ibuprofen brand names; List of Icelandic brands; List of company and product names derived from Indigenous peoples;
The anamorphic encoding on DVD is related to the anamorphic filming technique (like CinemaScope) only by name. For instance, Star Wars (1977) was filmed in 2.39:1 ratio using an anamorphic camera lens, and shown in theaters using the corresponding projector lens. Since it is a widescreen film, when encoded on a widescreen-format DVD the studio ...
Digital material is provided to widescreen TVs either in high-definition format, which is natively 16:9 (1.78:1), or as an anamorphically-compressed standard-definition picture. Typically, devices decoding Digital Standard-Definition pictures can be programmed to provide anamorphic widescreen formatting, for 16:9 sets, and formatting for 4:3 sets.