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A producer can also hire a writer to create a work. This could be defined as a Work for hire. If the work is a work for hire, the copyright of the material would be given to the producer of the show, not the writer. Whether or not a work is a work for hire is defined in the contract.
Work for hire is a statutorily defined term (17 U.S.C. § 101) and so a work for hire is not created merely because parties to an agreement state that the work is a work for hire. It is an exception to the general rule that the person who actually creates a work is the legally-recognized author of that work.
The Dallas Symphony Chorus (DSC), is the official vocal ensemble of the Dallas Symphony Orchestra. [1]The all-volunteer chorus has supported classical and pops performances with the Dallas Symphony Orchestra, as well as appearances in the greater Dallas metroplex, across the United States, and with orchestras in venues around the world.
The near-universal practice in education has traditionally been to act on the assumption that they were not work for hire.[5]" Textbook publishers were one of the principal industries lobbying for the work for hire provisions in the 1976 law. The publishers wanted to more easily control the rights to all contributions to their textbooks.
This portion is similar to a percentage, but may be limited or expanded by a number of factors (such as free goods, recoupable expenses, bonuses, etc.) that are specified by the record contract. Session musicians and orchestra members (as well as a few recording artists in special markets) are under contract to provide work for hire; they are ...
Music director emeritus for life Riccardo Muti leads the CSO season-opening concert on Sept. 21 at Orchestra Hall and will take the orchestra to New York to open Carnegie Hall's season on Oct. 4 ...
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