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RKO Pictures (also known as RKO Productions, Radio Pictures, RKO Radio Pictures, and RKO Teleradio Pictures) is an American film production and distribution company. The original company produced films from 1929 through 1957, with releases extending until its dissolution in 1959.
RKO Radio Pictures Inc., commonly known as RKO Pictures or simply RKO, was an American film production and distribution company, one of the "Big Five" film studios of Hollywood's Golden Age. The business was formed after the Keith-Albee-Orpheum theater chain and Joseph P. Kennedy's Film Booking Offices of America studio were brought together ...
RKO 281 is a 1999 American historical drama television film directed by Benjamin Ross, written by John Logan, and starring Liev Schreiber, James Cromwell, Melanie Griffith, John Malkovich, Roy Scheider, and Liam Cunningham. The film depicts the troubled production behind the 1941 film Citizen Kane.
The film was the biggest and most expensive RKO production of 1929 as well as the studio's biggest box office hit until King Kong (1933). [3] Its finale was photographed in two-color Technicolor . Rio Rita was chosen as one of the 10 best films of 1929 by Film Daily .
RKO Forty Acres was a film studio backlot in the United States, owned by RKO Pictures (and later Desilu Productions), located in Culver City, California. Best known as Forty Acres and "the back forty," [ 1 ] it was also called "Desilu Culver," [ 2 ] the "RKO backlot," and "Pathé 40 Acre Ranch," depending on which studio owned the property at ...
Production began in 1942, with Lewton being placed in charge of developing RKO's low-budget horror films. He brought together a team of filmmakers that he had worked with in the past, including Tourneur, editor Mark Robson and screenwriter DeWitt Bodeen. Cat People was the first film upon which the team worked. They were given the title by an ...
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Jaffe had quit his job at RKO Pictures to make the film. Hays summoned the pair to his office and told them to cease production as they were causing needless headaches for the studios. [99] Germany had threatened to seize all the properties of the Hollywood producers in Germany and ban the import of any future American films. [100] [101]