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The Cliff Walk at Pourville is an 1882 painting by the French Impressionist painter Claude Monet. It currently resides at the Art Institute of Chicago. It is a landscape painting featuring two girls atop a cliff above the sea. The canvas was inspired by an extended stay at Pourville in 1882.
Clotilde en la playa, 1904 Paseo del faro, 1906 Elena en la playa, 1909. Born in Valencia, Joaquín Sorolla had been familiar since his youth with life on the sea. In his early work, there is the traditional port view Marina, Barcos en el Puerto with which he made his debut in the art exhibition Expsoición National in Madrid in 1881. [17]
Manet, On the Beach, 1873. Compositionally, the painting departs from the conventions of the era. Gauguin crowds the two figures into the space of the canvas, yet they are completely independent of one another. [11]: 236 Art historians have compared this aspect of the work to the treatment of figures in Manet's On the Beach. [9]: 236
At the age of 28 she made the rash decision to destroy all of her existing art work, concluding it was too derivative. [ α ] This would take her in an entirely new direction. Putting the color palette aside for several years, O'Keeffe worked simply in black and white, using charcoal to create abstract expressionist works based on original ideas.
Oil on canvas Angers: Musée des Beaux-Arts: Seashore with Fisherman [Wikidata] c. 1807 Oil on canvas 33.5 x 51 cm Vienna: Belvedere: The Summer (in French) 1807 Oil on canvas 71.4 x 103.6 cm Munich: Neue Pinakothek: Dolmen in the Snow: 1807 Oil on canvas 61.5 x 80 cm Melbourne: National Gallery of Victoria: Sea beach in the fog [Wikidata] 1807 ...
In 1889, his first year in Åsgårdstrand, he painted Inger on the beach. The model was his youngest sister Inger, who had previously modeled for him. The painting was preceded by a series of studies Munch made between 9 and 11 pm to study the lighting conditions of Norwegian summer night. [3]
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