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"Lyin' Eyes" is a song written by Don Henley and Glenn Frey and recorded in 1975 by the American rock band Eagles, with Frey singing lead vocals. It was the second single from their album One of These Nights , reaching No. 2 on the Billboard Hot 100 chart and No. 8 on the Billboard Country chart.
"Crying" is a song written by Roy Orbison and Joe Melson for Orbison's third studio album of the same name (1962). Released in 1961, it was a number 2 hit in the US for Orbison and was covered in 1978 by Don McLean , whose version went to number 1 in the UK in 1980.
"These Eyes" is a song by the Canadian rock band The Guess Who. The song was co-written by the group's lead guitarist Randy Bachman and lead singer Burton Cummings and originally included on the band's 1969 album Wheatfield Soul .
Originally recorded in 1947 by Acuff, "Blue Eyes Crying in the Rain" was recorded by Hank Williams in 1951 for the Mother's Best Flour Hour [clarification needed].Other early remakes of the song were made by Donn Reynolds (MGM single - June 1957), Ferlin Husky (album Ferlin's Favorites - November 1959), Slim Whitman (album Country Favorites - 1959), Gene Vincent (recorded October 15, 1958 ...
The song is a mid-tempo country ballad, mostly accompanied by acoustic guitar and saxophone. It was written as a tribute to basketball player and jazz musician Wayman Tisdale, who died on May 15, 2009. [1] In it, the narrator is crying, but states he is not crying for Tisdale's death, rather crying for himself.
"Stop Crying Your Heart Out" is a song by the English rock band Oasis. The song was written by Noel Gallagher and produced by Oasis. It was released in the United Kingdom on 17 June 2002 as the second single from the band's fifth studio album, Heathen Chemistry (2002). In the United States, it was serviced to radio several weeks before its UK ...
Emotional tears well up when the limbic system—the part of your brain associated with emotional arousal, says Dr. Andreoli—is activated by a strong emotion or intense situation, be it a sad ...
In his retrospective review for Allmusic, critic William Ruhlmann called it an "excellent album steeped in the Southern California country-rock sound of the '70s". [1] In a review for Rolling Stone, Stephen Holden wrote, "John David Souther’s second solo album benefits from a beautiful, all-star Peter Asher production.