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Marie Zieu Chino (1907–1982) was a Native American potter from Acoma Pueblo, New Mexico. Marie and her friends Lucy M. Lewis and Jessie Garcia are recognized as the three most important Acoma potters during the 1950s. Along with Juana Leno, they have been called "The Four Matriarchs" who "revived the ancient style of Acoma pottery."
Garcia was born on the Acoma Pueblo in New Mexico, and is one of nine children born to Acoma potter and matriarch Lucy M. Lewis, who taught many of her children the traditional pottery-making process rooted in their ancient tradition, [3] including potters Anne Lewis Hansen, Mary Lewis Garcia, Emma Lewis Mitchell, Drew Lewis, and Carmel Lewis.
Acoma pottery water jar (ollo), before 1927, Acoma Pueblo. Example of traditional Acoma design. Aragon grew up observing his mother and aunt create traditional Acoma garments. He began making jewelry, but later, after researching traditional Pueblo designs at the School for Advanced Research in Santa Fe, decided to pursue a career in fabric
Acoma pottery, beginning over 1,000 years ago, traditional designs include thunderbirds, geometric patterns, and rainbows. [16] The pottery is made of fine local clay found on the pueblo to create the distinctively thin-walled pottery. The pottery is made in white and black and polychrome colors. Designs are pressed into all-white pottery with ...
Her mother, Santana Cerno, taught her the art of pottery. Her brother, Joseph Cerno, and her daughter-in-law, Carolyn Lewis-Concho, are also artists. While most of Concho's designs follow traditional patterns, she has also created designs that are not in the Acoma tradition, including one based on spiders.
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Lewis' daughter, Dolores Lewis Garcia, once noted: "My mother, Lucy M. Lewis, began making pottery at about age seven and attracted public attention for her work in the 1950s...Our family would buy books to look up the old pottery designs and Dr. Kenneth M. Chapman from the Museum of New Mexico suggested to us to use the Mimbres designs and they have become very popular for us today.
Pottery mound polychrome ware was often slipped with a different color on the inside of the vessel than on the exterior. [29] It was then decorated with various mineral paints before firing, in red, black and ochres. Ceramics found at Pottery mound was not only produced there, but imported from as far away as Hopi, Acoma and Zuni lands. [30] [31]