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The death poem is a genre of poetry that developed in the literary traditions of the Sinosphere—most prominently in Japan as well as certain periods of Chinese history, Joseon Korea, and Vietnam. They tend to offer a reflection on death—both in general and concerning the imminent death of the author—that is often coupled with a meaningful ...
The nine stages of decay have featured as the subject of several Chinese and Japanese poems. [1]: 24 In Japan there are two main poems, attributed to Kuukai (774 – 835), founder of Shingon Buddhism, [14] and Su Tongpo (1037 – 1101), a Song dynasty politician. [1]: 24 The Su Tongpo poem links the impermanence of the human form to changing ...
Haiku – form of short Japanese poetry consisting of three lines. Instapoetry; Tanka – classical Japanese poetry of five lines. Lied – Limerick – a kind of a witty, humorous, or nonsense poem, [3] especially one in five-line anapestic or amphibrachic meter with a strict rhyme scheme (aabba), which is sometimes obscene with humorous ...
Edition of the Kokin Wakashū anthology of classic Japanese poetry with wood-carved cover, 18th century. Japanese poetry is poetry typical of Japan, or written, spoken, or chanted in the Japanese language, which includes Old Japanese, Early Middle Japanese, Late Middle Japanese, and Modern Japanese, as well as poetry in Japan which was written in the Chinese language or ryūka from the Okinawa ...
Zuihitsu (随筆) is a genre of Japanese literature consisting of loosely connected personal essays and fragmented ideas that typically respond to the author's surroundings. . The name is derived from two Kanji meaning "at will" and "pe
Tsurezuregusa (徒然草, Essays in Idleness, also known as The Harvest of Leisure) is a collection of essays written by the Japanese monk Kenkō (兼好) between 1330 and 1332. The work is widely considered a gem of medieval Japanese literature and one of the three representative works of the zuihitsu genre , along with The Pillow Book and the ...
"Death and Night and Blood (Yukio)", a song by the Stranglers from the Black and White album (1978). (Death and Night and Blood is the phrase from Mishima's novel Confessions of a Mask) [315] "Forbidden Colours", a song on Merry Christmas, Mr. Lawrence soundtrack by Ryuichi Sakamoto with lyrics by David Sylvian (1983).
The rhetorical style started out as poetry. This later influenced pianwen and guwento and eventually created the baguwen aka the eight-legged essay. [1] In Korea, the form was called giseungjeongyeol (Hangul: 기승전결; Hanja: 起承轉結). In Japan, it was called kishōtengō (起承転合), from which the English word derives.