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This is a list of the most-watched Indian music videos on YouTube. Phonics Song with Two Words from children's channel ChuChu TV is the most viewed video in India and is the 7th most viewed YouTube video in the world. "Why This Kolaveri Di" become the first Indian music video to cross 100 million views. [1] [2] "Swag Se Swagat" became the first ...
Roshan (music director) Lata Mangeshkar: Hindi: Gaud Malhar: Jurm-e-Ulfat Pe Taj Mahal (1963 film) Roshan (music director) Lata Mangeshkar: Hindi: Gaud Malhar: Sharabi, Sharabi Ye Savan Ka Mausam Noor Jehan (film) Roshan (music director) Suman Kalyanpur: Hindi: Gaud Sarang: Woh Dekhen To Unki Inayat Funtoosh: S. D. Burman: Kishore Kumar & Asha ...
Kedar is an ancient raga, with different genres of classical songs, like khayals, thumris, dhrupads, as well as light classical songs based on it. According to the Guru Granth Sahib, raga Kedara (ਕੇਦਾਰਾ) expresses and makes the mind aware of the soul's true character. It conveys the emotions of honesty, integrity and truthfulness in ...
Download QR code; Print/export ... Lavani songs (3 P) O. ... Pages in category "Indian classical music" The following 60 pages are in this category, out of 60 total. ...
Hindi film songs, more formally known as Hindi Geet or Filmi songs and informally known as Bollywood music, are songs featured in Hindi films.Derived from the song-and-dance routines common in Indian films, Bollywood songs, along with dance, are a characteristic motif of Hindi cinema which gives it enduring popular appeal, cultural value and context. [1]
Ka Karoon Sajni Aye Na Baalam is a classical song of Hindustani classical music.It is a Thumri sung in the raaga, Sindh Bhairavi Thumri. [1] It was popularised by legendary Hindustani vocalist, Bade Ghulam Ali Khan, Barkat Ali Khan, Bismillah Khan on shehnai (instrument), Pandit Ajoy Chakrabarty etc. [2]
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Rāga is a melodic framework for improvisation based on the idea that certain characteristic patterns of notes (svara) evoke a heightened state of emotion.These patterns of notes are a fusion of scalar and melodic elements, and each raga can be described in terms of its ascending lines (āroha) and descending lines (avaroha), as well in terms of its characteristic melodic figures in which ...