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Richard Mulcaster's unique contribution is not only inventing the name "footeball" [dubious – discuss] but also providing the earliest evidence of organised team football. Mulcaster confirms that his was a game closer to modern football by differentiating it from games involving other parts of the body, namely "the hand ball" and "the armeball".
In the spring of 1935, impressed by his talent, Zhan Wenhu, Zhu's senior colleague at the Book Company, encouraged Zhu to translate Shakespeare. [10] In 1936, at the age of twenty-three Zhu started translating The Tempest into Chinese, with the understanding that the World Book Company would publish his complete translations of Shakespearean plays.
An anthology of 20 poems collected and published by William Jaggard that were attributed to "W. Shakespeare" on the title page, only five of which are considered authentically Shakespearean. The Phoenix and the Turtle: 1601 A Lover's Complaint: 1609 Shakespeare's Sonnets: 1609 A Funeral Elegy: 1612 No longer attributed to Shakespeare by most ...
The first recorded football match in Argentina was played in 1867 by British railway workers at the Buenos Aires Cricket Club Ground. [44] The game was a blend of both association and rugby footballs, allowing the use of hands. [45] The first association football team in South America, Buenos Aires Football Club was created in Argentina that ...
The various codes of football share certain common elements and can be grouped into two main classes of football: carrying codes like American football, Canadian football, Australian football, rugby union and rugby league, where the ball is moved about the field while being held in the hands or thrown, and kicking codes such as association football and Gaelic football, where the ball is moved ...
Composed in reaction to the neoclassical approach to Shakespeare's plays typified by Samuel Johnson, it was among the first English-language studies of Shakespeare's plays to follow the manner of German critic August Wilhelm Schlegel, and, with the work of Samuel Taylor Coleridge, paved the way for the increased appreciation of Shakespeare's ...
To Be or Not to Be offers the reader the option to play as one of three characters: Hamlet, Ophelia, or Hamlet Sr., King of Denmark.From there the story branches frequently, with some options following the course of the original play and others providing the choice to give up on the quest to kill King Claudius, or to follow other pursuits (Ophelia, for example, is a keen scientist who can ...
It is mentioned by the character Costard in Act V, Scene I of William Shakespeare's Love's Labour's Lost. As it appears only once in Shakespeare's works, it is a hapax legomenon in the Shakespeare canon. At 27 letters, it is the longest word in the English language to strictly alternate between consonants and vowels. [1]